The discussion on split grade printing has been great - thanks all. I hope that I can get another discussion like that going! I have a negative which I believe calls for a contrast mask, which I have never done. The image is of a footpath, under dense tree cover, with very intersting roots on the ground. Through a gap in the trees, you can see a lake with the far shore. When I print this now, I give the footpath a 12s exposure, then burn in the lake and far shore with an additional 60s exposure - this gives me nice detail on the water surface and far shore, while still keeping detail in the dark sections on the footpath. Problem is that when I burn in this much, it is near impossible to maintain detail on the small parts of trees that are silhouetted by the lake, and the near shoreline shows the edge of the burn clearly, and I never get it exactly right. As I understand the technique - I would sandwich the negative with a piece of film, and expose then develop the film - then sandwich the negative, with the positive mask for the final enlargment. - Question is, how do I go about figuring out the exposure and development for the mask, and what film should I be using? - If it makes a difference, the neg is 4x5 on Tri-X. Mark __________________________________ Do you Yahoo!? Dress up your holiday email, Hollywood style. Learn more. http://celebrity.mail.yahoo.com ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.