Ben, I use the magnalite with an autoparts store attachment that allows the light to be highly directed with the rubylith piece over the lens. The light is low enough that it can be used with color papers as well. Without the red filter, it is an excellent local burner for making black studio backdrops when portrait photographers fail to expose their backdrops to black. They certainly are cheap enough that you can have more than one if need be. Eric Neilsen Photography 4101 Commerce Street, Suite 9 Dallas, TX 75226 214-827-8301 http://ericneilsenphotography.com > -----Original Message----- > From: pure-silver-bounce@xxxxxxxxxxxxx [mailto:pure-silver- > bounce@xxxxxxxxxxxxx] On Behalf Of Ben R. McRee > Sent: Monday, October 24, 2005 10:41 AM > To: pure-silver@xxxxxxxxxxxxx > Subject: [pure-silver] New Darkroom New Question > > After a fews days and nights with my new setup, one of the > challenges > I've discovered is reading the filter settings on the dichroic > head > under safelight so that I can change contrast for burning in. > With > paper in the easel I obviously can't turn the room lights on or > use > the enlarger to illuminate them as I do when making the initial > settings. So what do you do? > > What I've done (making it up as I go along) is to cover the > paper > with a piece of cardboard, then use a penlight partly covered > with my > hand to illuminate the filter windows. Something tells me > there > must be a better way. > > --Ben > =============================================================== > ============================================== > To unsubscribe from this list, go to www.freelists.org and > logon to your account (the same e-mail address and password you > set-up when you subscribed,) and unsubscribe from there. ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.