I made a similar modification to a 4x5 folding hood. I used a 7x B&L
Hastings magnifier and painted the transparent magnifier housing black.
It was mounted on axis. The result was a highly magnified and very bright
image of a small portion of the scene. This allowed hand-held accurate
focusing under a wide range of conditions. It worked very well.
On Wednesday, July 29, 2020, 10:26:45 AM EDT, ROBERT KISS
<bobkiss@xxxxxxxxxxxxx> wrote:
DEAR LIST,
I had the wonderful fortune of being given a 3 1/4 X 4 1/4 Speed Graphic
with holders and a DeJur enlarger of the same size!?!? I already had a 4X5
Dejur and couldn't figure out why they would make one specifically for 3 1/4 X
4 1/4 when a smaller negative carrier would have done the job with the 4X5!
Seems like they were trying to have one of their products compete with another!
As, even in the late 60s there were limited film types available in that
format, I sold that camera and enlarger to a beginning photog who would be
happy with the films available and could use the enlarger and its various neg
carriers for medium and small format negs as well. It served him well for
years.
CHEERS!
BOB
On July 29, 2020 at 12:39 AM `Richard Knoppow <dickburk@xxxxxxxxxxxxx> wrote:
Somebody's hack. The lens was probably original. 135mm and
later 127mm lenses were often used on 4x5 cameras for a slightly
wide angle coverage for press work. Normal would be 150mm. I
don't quite understand the reason for the magnifier since I
prefer to be able to move a magnifier around.
The funny frame on the front is for a flash solenoid. The
solenoids were too large to close the front of the camera over so
were made removable. I am drawing a blank on the name of the
synchronizer that fits it. The frame around the rangefinder was a
standard at the time for Sol or Heiland Research flash guns. Its
possible the solenoid was also made by Sol or HR (same company).
3-1/4 x 4-1/4 is an absolutely orphan size. Graflex promoted
the size to replace 4x5 for years but it was never successful. It
can lead to confusion in identifying cameras because there are
some differences in the two. For instance, you will notice the
front on this camera has two sliding locks for the lensboard,
both top and bottom where on the 4x5 only the top slides. On the
later Pacemaker the location of the body release is a clue,
appearing closer to the bottom corner of the camera than on the
4x5. There are also differences in the Graflex cameras that can
lead one to wonder what they are looking at.
3x4 film holders are quite rare, I notice he is including a
couple with the camera. Film can still be gotten but is much more
difficult to find than 4x5 or 2x3 or even 5x7. 5x7 should be an
orphan size but people love it so it won't die and you can still
get film for them although holders are hard to come by.
I have two 4x5 Anniversary series Speed Graphics, a very
early one with some differences from the later ones such as a box
of the same dimensions as the earlier side handle SG (often
called a pre-Anniversary) and a later one, evidently one of the
last (has a chromed speed chart) refitted with a Graflok back.
Heavy but a very good camera.
You can probably tell I am a Speed Graphic fan.
On 7/28/2020 9:04 PM, Richard Lahrson wrote:
https://www.ebay.com/itm/Graflex-Speed-Graphic-3X4-with-Carl-Zeiss-Jena-13-5cm-f4-5-Tessar-Anniversary/274253114539?hash=item3fdac26cab:g:vAcAAOSw8S9ePJ1r
<https://www.ebay.com/itm/Graflex-Speed-Graphic-3X4-with-Carl-Zeiss-Jena-13-5cm-f4-5-Tessar-Anniversary/274253114539?hash=item3fdac26cab:g:vAcAAOSw8S9ePJ1r>
Was this a custom job?
--
Richard Knoppow
dickburk@xxxxxxxxxxxxx
WB6KBL
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