Walter: As I wrote my note I was aware that I was being general and mythic and thus open to misunderstanding and nitpicking, but if that's what you're doing, you'll have to be more specific. I don't see your point. Paleoanthropology is one of my subjects -- also genetics as pertains to early man and the movement of human societies. So I'm somewhat current on the latest theories about what man was doing through 99% of his prehistory. Matters I studied in those sciences informed my comments somewhat. Another of my subjects is Poetry although I'm not current on poets in the last 40 years or so. I read Yevgeny Yevtushenko years ago and don't have any of his poetry here, but my impression is that he was primarily a political poet. So what does he have to do with a grand passion? If he wrote something on that, I don't recall it. I read Sigmund Freud's Totem and Taboo back in the 40s but don't recall it vividly. I read Origin of Species in 1958, but if there was something in it about what attacks men to women and vice versa I don't recall it. I have heard Roy Orbison's songs. He was a pitiful fellow who didn't do well in his relationships as I recall. I haven't seen Casablanca recently. Perhaps Ilsa and Rick had grand passions for each. Their passion was rendered unrequited through circumstances. I was assuming in my previous note "unrequited grand passion" which was the applicable element in Mike's poem -- as I understood it. So to take something I said and apply it more broadly isn't an application I'm likely to support, but more in the nature of a quibble -- which I'm not saying you are doing inasmuch as I have no idea what you're doing. I have not read Dennett or Dawkins and probably am not likely to. I haven't seen Rear Window in ages. Maybe it has something to do with relationships, but my recollection of it doesn't relate it well to Mike's poem; which, after all, my comments were exclusively pertaining to. Lawrence ------------Original Message------------ From: wokshevs@xxxxxx To: lit-ideas@xxxxxxxxxxxxx, "Lawrence Helm" <lawrencehelm@xxxxxxxxxxxxxx> Cc: "Lit-Ideas" <Lit-Ideas@xxxxxxxxxxxxx> Date: Mon, Sep-24-2007 12:53 PM Subject: Re: [lit-ideas] Re: Sunday POEM I strongly recommend the following texts: 1. *Breaking the spell*, Daniel Dennett 2. *The blind watchmaker*, Richard Dawkins 3. *The origin of species*, Charles Darwin 4. *The extended phenotype*, Richard Dawkins 5. *Casablanca*, film with Humphrey Bogart et al 6. All songs by Roy Orbison (some more than others) 7. *Groundwerk of the Metaphysics of Morals*, Immanuel Kant 8. All poems by Yvengeny Yevtushenko 9. Canadian Charter of Rights and Freedoms 10. Universal Declaration of the Rights of [Persons] 11. *I think I'm going back* and "The look of love* by Dusty Springfield 12. *Totem and Taboo*, Ziggie Freud 13. *Rear Window*, film by A. Hitchcock Cheers, Walter O. On vacation on the Rock of the Avalon Quoting Lawrence Helm <lawrencehelm@xxxxxxxxxxxxxx>: > Thanks to my misreading of Julie's note, I have found myself thinking about > Mike's poem all morning. > > If we examine the way our species developed, we see that in general, men > selected women for their beauty and women selected men for their ability to > take care of them. Perhaps then, the grand passions have typically > belonged to men rather than women because look there: isn't she beautiful? > Isn't she perfectly wonderful (meaning beautiful in movement and speech)? > > Think of all the grand-passion love poetry written by men. What of the > objects of their passion? Did any of those women write poetry? No, of > course not. They were beautiful. They didn't need to. > > Now, perhaps our hunter-gatherer ancestors did it better than we do today. > She's hot and he's hot so they move in together -- don't even bother with > marriage. And as for a man providing for a woman, well maybe. She can after > all get a job and provide for herself. But that is a recent development. We > still have all those hunter-gatherer genes back there trying to guide us and > bother us. Look, there: she is beautiful, we read in Mike's poem. Okay so > far, but she doesn't reciprocate. There, Mike had the grand passion and > poured his heart out to her and she merely used him in some way. She wanted > something material from him -- not a grand passion -- so in disgust he gave > it to her and she abandoned him -- like a whore. > > I take that as a symbol for certain sorts of relationships. Think of > Somerset Maugham's Of Human Bondage. > > Yes, there are women who have grand passions. Think of the astronaut and her > diaper. What did that guy look like, by the way? I'll bet he wasn't > beautiful. > > Lawrence > > > ------------Original Message------------ > From: "Lawrence Helm"<lawrencehelm@xxxxxxxxxxxxxx> > To: lit-ideas@xxxxxxxxxxxxx > Date: Mon, Sep-24-2007 9:03 AM > Subject: Re: [lit-ideas] Re: Sunday POEM > At the risk of giving Leftists ammunition for several future cheap shots, > I'll confess that I thought Julie had written, "thanks . . . for sharing your > guilt with us." And read the poem again very carefully and was just about to > post an alternate view of what the poem really meant -- guilt was there > superficially in Cuchulain on the beach slaying his son, OJs gloves -- the > guilt of getting carried away by passion, but not in the image of the worthy > woman who can step up like William Blake, and so he hopes and loves, but he > is betrayed and made a clown for his love is broken . . . and then I read > Julie's note again. Alas, I need new glasses. > > Lawrence > > > > ------------Original Message------------ > From: "Julie Krueger" <juliereneb@xxxxxxxxx> > To: lit-ideas@xxxxxxxxxxxxx > Date: Sun, Sep-23-2007 11:31 PM > Subject: [lit-ideas] Re: Sunday POEM > Last line packs a punch .... thanks as always for sharing your gift with > us. > > Julie Krueger > > > On 9/23/07, Mike Geary < atlas@xxxxxxxxxxxxx> wrote: > Chuchlain should be Cuchulain as every good Irishman knows and Irishwomen > too. > > Mike Geary > > ----- Original Message ----- > From: Mike Geary > To: lit-ideas@xxxxxxxxxxxxx > Sent: Sunday, September 23, 2007 12:12 PM > Subject: [lit-ideas] SUNDAY POEM > > > HEARTBREAK MOTEL > > > This is how it happened > if it did > I can't remember for sure > all I know is > I was sitting at a sidewalk cafe > trying on OJ's gloves > when along came this rain > silver coins sparking on the black streets > and like out of the strains of "Maria" > steps this wild woman > a "Bible black, sloe black, crow black" woman > steps up like William Blake > all wall-eyed and says > (actually, she says "saze" > except in first person singular) > "I say," she saze, > "ain't I done you before?" > and so it happened > (again? I can't remember): > skin like silk sheets > that she'd never known > the feel of > and I feel love > like Pavarotti's reach, > but she wants to get paid, > like Chuchlain on the beach, > love like > despair beyond repair, > or was it more like that day in Calabria > Feast of the Assumption > Holy Mary Mother of God > what have I done? > Recitar! Vesti la giubba. > as Eliot might have said. > She wanted her money. > Ridi, Pagliaccio, > sul tuo amore infranto! > as Eliot surely would have said: > Shit happens. > So I paid. > Love took her hundred dollars and left. > > > Mike Geary > Memphis >