On 4/6/2011 6:59 PM, Michael A. Smith and Paula Chamlee wrote:
To increase contrast, give less exposure to the print and develop the print for a longer time. Stopping agitation will decrease contrast.
Yup, I know that, but *why*. Do the shadows stop getting darker or do the highlights continue to develop "down" when you stop agitating? In one case the developer exhausts while continuing to act on the other.
Michael A. Smith On 4/6/11 7:50 PM, Tim Daneliuk wrote:When developing a print if we increase time but stop agitating, what densities will continue to develop and where will the developer exhaust first and cease to work. I cannot for the life of me remember which way it works: Whether the highights exhaust and the darker values continue to develop or vice versa. Another way to say this: If I want to *increase* contrast by making the shadows darker and "holding back" the highlights how to I do this when developing a print? Bonus Question: Is there are similar/complementary effect when doing this to film?============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.
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