Re: [MoAccess] Changing time signatures in sequencer
- From: "Bryan Smart" <bryansmart@xxxxxxxxxxxxxx>
- To: <MoAccess@xxxxxxxxxxxxx>
- Date: Wed, 9 Jan 2008 15:33:44 -0500
Its in the Insert menu. Meter/key change.
Bryan
-----Original Message-----
From: moaccess-bounce@xxxxxxxxxxxxx
[mailto:moaccess-bounce@xxxxxxxxxxxxx] On Behalf Of Benjamin Blatter
Sent: Wednesday, January 09, 2008 3:10 PM
To: MoAccess@xxxxxxxxxxxxx
Subject: Re: [MoAccess] Changing time signatures in sequencer
Hi everybody
We talked about changing meter settings in the motif XS in a song.
Can anyone tell me how I do that in Sonar? I got it a week ago and so
I'm still unfamiliar with this wonderful program.
I want to write a song which is most in 4/4. But there's always a place
where it changes to 2/4. How can I get this?
And is it also possible to add a empty measure anywhere in a song?
Thanks
Benjamin
----- Original Message -----
From: "Emccullough1" <emccullough1@xxxxxxxxxx>
To: <MoAccess@xxxxxxxxxxxxx>
Sent: Wednesday, January 09, 2008 8:23 PM
Subject: Re: [MoAccess] Changing time signatures in sequencer
Actually Bryan I still do it the way you described it in the previous
message. That sounds wonderful though. Perhaps one day, I'll get to
experience that on the Motif XS. Perhaps Driza has found a new way to do
things on the ES.
----- Original Message -----
From: Bryan Smart
To: MoAccess@xxxxxxxxxxxxx
Sent: Wednesday, January 09, 2008 1:57 PM
Subject: Re: [MoAccess] Changing time signatures in sequencer
That's interesting. You're right that, in general, the Motif will
capture
most changes that you make while you're in record. So, if you're
recording,
and you turn a knob to tweak the sound of a voice, change the
attack/release
of a sound with the knobs, move a volume fader, change the tempo, etc,
those
all get recorded. In a lot of ways, that is a much easier way of doing
automation than people have to deal with in DAW apps like Sonar.
The drawback here is when you need to set an exact value at an exact
time.
For example, if my drum track is mostly dry, but, in the last snare hit
before the downbeat of a new song section, I want to wash the snare with
reverb, then I'd just move to the top of the last bar, go into overdub
record, turn the reverb knob up before the snare, turn it back down
after
the snare, and press stop. Sure, I've put lots of knob automation all
over
that track, but who cares. I got what I wanted. When it comes to things
like
tempo and meter, though, you might want to jump directly from one value
to
another. So, in that case, just turning a knob is going to create a
gradual
change. At least, that is how it has worked with most of what I've tried
so
far.
So, just so that I understand you correctly, you jump forward into the
song where you want the meter to change, start recording, and then arrow
up
to and change the meter during the count-in? If you were fast enough to
make
that change during the count-in, then maybe, when recording started,
only
the most recent meter change would be recorded to the tempo track.
Or, are you saying that you move to the bar where you want the meter
change, go into Record Setup, change the meter setting, and then press
play?
Those Yamaha people are really the smart ones. I'm always so happily
surprised when I expect to have to do things in a highly technical way
(like
I've come to expect from a computer), and they've already made the Motif
figure it out for me. Here is an example. On the Motif, when you wanted
to
make a pattern into a song, you have to record a pattern chain, and then
you
have to dump that chain into a song. On the ES, recording a chain
involved
recording a pattern track that contained info about when to switch
between
the different pattern sections, and a scene track, where you could
record
your mute/solo of tracks. This made the pattern chain mode almost a mini
sequencer in its own right, complete with overdub and replace recording,
multiple tracks, an editor that had to be learned, etc. On the XS, you
just
go into Pattern Chain mode, hit record, and play the pattern with the
buttons, just like you would from pattern play mode. You can switch
sections, perform your solos/mutes, and it will all be recorded. Since
it is
all recorded at once, there is no need for separate chain tracks, and,
while
there is an editor for the chain, it is usually easier for me to just
hit
record and perform the pattern again. On the ES, I didn't bother to
create a
pattern chain unless I was serious about turning the pattern into a song
so
that I could record overdubs. However, on the XS, when I'm writing
patterns,
I almost always record a rough chain with a demo song structure laid out
(intro, verse, chorus, verse, chorus, etc -- something like that), so
that I
can hear the patterns in context and bounce my song ideas off of people.
Another way that they've really made all of this easier is when you
get
ready to render the chain to a song. When you go into the render screen
on
the ES, you need to pick the song number where the chain will be dumped.
You
can't numerically enter a number there, so you must count with the
inc/dec
buttons or clicks of the data dial in order to reach the correct song
slot
(Adrian? Ernist? Have you all learned differently since I had an ES).
There
were several times on the ES when I'd make a mistake by missing a click
when
counting, and I'd over write the wrong song. Of course, there was no
un-do,
so that lead to bad situations. On the XS, you don't need to enter a
number
or count clicks. If you go to song mode, and dial up to song 12, then,
when
you go back into Pattern Chain mode and select to render the chain to a
song, the XS is smart enough to start you out on the last song that you
were
using in song mode, which, in this case would be song 12. So, I use song
mode to select the slot (where I can actually hear if anything is stored
in
that song slot), and can then switch back to pattern chain and start the
render operation. it is really smart of them.
There is stuff like this everywhere. If you're in Performance mode,
and
you record to a song, then press the song button, you're immediately
placed
into the song that you just recorded. Working the other way around, if
you
select an empty song or pattern, switch to performance mode, and hit
record,
you'll be recording into the last song or pattern that you were using.
Of
course, you always get a settings screen where you can manually set the
number, but these new ways are much more useful to someone that is
working
based on what they hear rather than what they see.
What a great instrument!
Bryan
------------------------------------------------------------------------
------
From: moaccess-bounce@xxxxxxxxxxxxx
[mailto:moaccess-bounce@xxxxxxxxxxxxx]
On Behalf Of Jes
Sent: Wednesday, January 09, 2008 1:17 PM
To: MoAccess@xxxxxxxxxxxxx
Subject: Re: [MoAccess] Changing time signatures in sequencer
Actually Bryan, you don't need to do anything with the event editor. I
found out through trial and error that if you just go to the measure
where
you want to change the time signature and you just change the whole
meter,
the meter will change on the start of that measure. For example, say you
had
a time signature of 4/4 at the start of your sequence, but after 8
measures
you wanted to switch to 3/4, then 8 measures later you wanted to go back
to
4/4. When you want to change the time signature from 4/4 to 3/4 at the
8th
measure, just go to measure 8 and change the meter by pressing the
record
button then scrolling up and changing the meter that way. When you want
to
change it back to 4/4, just do the same thing. I've found that method to
work, unless I'm missing something. Thoughts?
----- Original Message -----
From: Bryan Smart
To: MoAccess@xxxxxxxxxxxxx
Sent: Tuesday, January 08, 2008 3:53 AM
Subject: Re: [MoAccess] Changing time signatures in sequencer
To change the time signature in the middle of a song, you need to
insert
a meter change into the event list. From song mode, press edit. In here,
there is an insert function. When you pick it a screen will come up
asking
the type of event.
You'll need sighted help for this. I haven't had anyone go through
the
event editor with me in any detail other than how to use the main event
edit
screen to change notes, velocities, and durations.
Bryan
------------------------------------------------------------------------
----
From: moaccess-bounce@xxxxxxxxxxxxx
[mailto:moaccess-bounce@xxxxxxxxxxxxx] On Behalf Of Jes
Sent: Monday, January 07, 2008 8:35 PM
To: MoAccess@xxxxxxxxxxxxx
Subject: Re: [MoAccess] Changing time signatures in sequencer
Bryan, I am using the MoTif xs. I should have made that clear in my
last
message.
--
From: Bryan Smart
To: MoAccess@xxxxxxxxxxxxx
Sent: Monday, January 07, 2008 4:17 PM
Subject: Re: [MoAccess] Changing time signatures in sequencer
The short answer is yes. You can change the time signature in the
middle of a song.
Which Motif are you using?
Bryan
------------------------------------------------------------------------
--
From: moaccess-bounce@xxxxxxxxxxxxx
[mailto:moaccess-bounce@xxxxxxxxxxxxx] On Behalf Of Jes
Sent: Monday, January 07, 2008 3:01 PM
To: MoAccess@xxxxxxxxxxxxx
Subject: [MoAccess] Changing time signatures in sequencer
Hi all. I know how to change the meter from 4/4 to 3/4 in the song
mode, but how do you change the number of beats in a measure, like from
4/4
to 6/8? Also, is it possible to change the time signature throughout a
sequence, like going from 4/4 to 3/4, then returning to 4/4? I would
hope
that the Motif can handle complex rhythm changes like 6/8, 5/4, 9/12,
etc.
Thanks
Jes
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