[rollei_list] Re: rollei_list Digest V5 #27

  • From: gram rupert <gramario@xxxxxx>
  • To: rollei_list@xxxxxxxxxxxxx
  • Date: Sun, 1 Feb 2009 09:13:16 +0000

Thanks to all for the advice, which I shall read through carefully. I think another problem is the use of the holders. I have four with the 4990, but I don't see any one particularly dedicated to MF format.


Thanks,
rupert.


From: gram rupert <gramario@xxxxxx>
Subject: [rollei_list] Re: SCANNING MF
Date: Sat, 31 Jan 2009 10:44:16 +0000

Hi,
When scanning my MF (including Rolleiflex) stuff, I get poor results.
I am using an Epson 4990 flatbed. Has anyone got any suggestions?

Thanks,
Rupert.




------------------------------

From: Elias Roustom <eroustom@xxxxxxxxxxx>
Subject: [rollei_list] Re: SCANNING MF
Date: Sat, 31 Jan 2009 09:51:56 -0500

The 4990 is supposed to be a fantastic scanner - Carlos and I use an
inferior 4490, and as you can see from the last image he posted, he's
getting incredible results.
You need to be more specific, what do the results look like, what
type of trouble are you having. (remember... you can't post to this
list, only links).

Elias

-----------------------------

Date: Sat, 31 Jan 2009 13:26:24 -0500
From: Walker Smith <doubs43@xxxxxxx>
Subject: [rollei_list] Re: SCANNING MF

I'm guessing that it's your software and/or settings. I use vuescan with
two Epson scanners; 4180 and a 4490. Here are four examples of 6x6
negatives that I've scanned. Taken by my father with either a Rolleicord or 'Flex, two are over 50 years old and two are more than 60 years old.

http://s70.photobucket.com/albums/i99/doubs43/Misc/? action=view&current=MrsPeddicordCatJun1958.jpg http://s70.photobucket.com/albums/i99/doubs43/Misc/? action=view&current=TwoBoysFishApril1957.jpg http://s70.photobucket.com/albums/i99/doubs43/Misc/? action=view&current=CreekinWinter1940s.jpg http://s70.photobucket.com/albums/i99/doubs43/Misc/? action=view&current=Winter1944-45.jpg

The following is from a previous post by a Mr. John Poirier on the
Spotmatic Group that I copied and saved. It's been extremely helpful and I owe Mr. Poirier thanks for posting it. I hope it is as helpful to you
and others here.



Date: Sat, 31 Jan 2009 13:34:02 -0500
From: Walker Smith <doubs43@xxxxxxx>
Subject: [rollei_list] Re: SCANNING MF

I don't know why the information didn't come through that I copied and
pasted but I'll try again:

RE: [Spotmatic] VueScan vs SilverFast

Good Morning!

As I think the ability to do high-quality, affordable scanning is a real asset for those of us who would like to continue using our great old film
cameras, I'd like to offer a bit of advice on this subject.

I've retired after a twenty-year career doing imaging work for an archives. Half way through I made the transition from large format film copying to
digital for most purposes.

I've digitized many thousands of images, black and white and colour, in a wide assortment of formats using quite an assortment of scanners as well as
digital cameras.

SilverFast and Vuescan are very different products. In my view Silverfast is intended to emulate the multiple functions of sofware usually associated with high-end pre-press scanning systems, while Vuescan is intended to give
photographers a simple,high-qulaity tool for basic scanning. Hence the
differences in complexity and price.

One important lesson I've learned working with large numbers of images often
with short deadlines is to keep things simple.

In my view Photoshop is a much better tool than scanner software for making image corrections. All I expect of scanner software is to produce files that
aren't screwed up for Photoshop.

There are three key screwups to avoid.

The first screwup is inadequate bit depth. For best results, always scan black and white negs in 16-bit mode and colour negs and slides in 48-bit
mode. This gives you far more information for making tonal and colour
corrections, which will help you avoid problems like blown-out highlights. (In Vuescan you must select bit depth in two places- Bits per Pixel on the
Input tab and TIFF File Type on the Output tab.)

The second screwup is scanning your files as JPEGs. Always save your scans
as TIFFs. Google "JPEG compression artifact" if you want to know why.

The third screwup to avoid is "clipping" of highlights and shadows.

By default, most scanning software is set up to cut off a certain amount of highlight and shadow information. The intent is to produce "brilliant", punchy images. Unfortunately this also throws away information that can greatly improve the tonal range and richness of images. The throwing away
process is called "clipping".

One of the strengths of Vuescan is that it allows you to take control over clipping very simply. Most other software packages are a pain in the butt
for this particular function.

I'll cut to two basic methods that work well for me. You'll need to switch
on the advanced "more" interface options in Vuescan to use them.

Method 1- suitable for scanning large numbers of images in a hurry.

Settings: Under the Color tab, select Auto Levels. Enter 0 for Black Point
and 0.1 for White Point. Select "generic" film type. Set Output Color
Space to Adobe RGB or Gray as appropriate. You can leave all other settings
under Color at their defaults, as other corrections are better made in
Photoshop.

Method 2- suitable for somewhat better individual scans.

Settings: Start with settings as in Method 1. Activate histogram by going
to the Prefs tab and selecting "linear" as the histogram option.

Adjust the sliders on the histogram so that they are positioned just outside
the top and bottom of the curve. This will give you maximum image
information without clipping. You will have to do this for every image. Note that the numbers in the Black Point and White Point boxes will change
as you do this.

Comments: I came up with these methods after considerable trial and error with Vuescan. They have worked well for me over a good many versions of the
software.

The resulting files may not be that great in terms of brightness, colour balance or contrast. The important thing thing is that they will contain
the information needed to make those corrections most effectively in
Photoshop.

Questions welcome.

John Poirier

------------------------------

Date: Sun, 01 Feb 2009 01:07:28 -0500
Subject: [rollei_list] Re: SCANNING MF
From: Mark Rabiner <mark@xxxxxxxxxxxxxxxx>

Scanning work is in effect digital darkroom work.
Like regular darkroom work you don't waltz in and waltz out an hour later
with Ansel Adams prints. Takes a few tries.
Maybe you read a book or pamphlet. Take a class.
There's a learning curve.
And that's good because if it was that easy automatic you'd not get that warm feeling of fulfillment that you get doing something that not a 4th
grade kid could do during recess instead of play on the swings.

Mark William Rabiner



From: Walker Smith <doubs43@xxxxxxx>
Reply-To: <rollei_list@xxxxxxxxxxxxx>
Date: Sat, 31 Jan 2009 13:34:02 -0500
To: <rollei_list@xxxxxxxxxxxxx>
Subject: [rollei_list] Re: SCANNING MF

I don't know why the information didn't come through that I copied and
pasted but I'll try again:

RE: [Spotmatic] VueScan vs SilverFast

Good Morning!

As I think the ability to do high-quality, affordable scanning is a real asset for those of us who would like to continue using our great old film
cameras, I'd like to offer a bit of advice on this subject.

I've retired after a twenty-year career doing imaging work for an archives. Half way through I made the transition from large format film copying to
digital for most purposes.

I've digitized many thousands of images, black and white and colour, in a wide assortment of formats using quite an assortment of scanners as well as
digital cameras.

SilverFast and Vuescan are very different products. In my view Silverfast is intended to emulate the multiple functions of sofware usually associated with high-end pre-press scanning systems, while Vuescan is intended to give photographers a simple,high-qulaity tool for basic scanning. Hence the
differences in complexity and price.

One important lesson I've learned working with large numbers of images often
with short deadlines is to keep things simple.

In my view Photoshop is a much better tool than scanner software for making image corrections. All I expect of scanner software is to produce files that
aren't screwed up for Photoshop.

There are three key screwups to avoid.

The first screwup is inadequate bit depth. For best results, always scan black and white negs in 16-bit mode and colour negs and slides in 48-bit
mode. This gives you far more information for making tonal and colour
corrections, which will help you avoid problems like blown-out highlights. (In Vuescan you must select bit depth in two places- Bits per Pixel on the
Input tab and TIFF File Type on the Output tab.)

The second screwup is scanning your files as JPEGs. Always save your scans
as TIFFs. Google "JPEG compression artifact" if you want to know why.

The third screwup to avoid is "clipping" of highlights and shadows.

By default, most scanning software is set up to cut off a certain amount of highlight and shadow information. The intent is to produce "brilliant", punchy images. Unfortunately this also throws away information that can greatly improve the tonal range and richness of images. The throwing away
process is called "clipping".

One of the strengths of Vuescan is that it allows you to take control over clipping very simply. Most other software packages are a pain in the butt
for this particular function.

I'll cut to two basic methods that work well for me. You'll need to switch
on the advanced "more" interface options in Vuescan to use them.

Method 1- suitable for scanning large numbers of images in a hurry.

Settings: Under the Color tab, select Auto Levels. Enter 0 for Black Point
and 0.1 for White Point. Select "generic" film type. Set Output Color
Space to Adobe RGB or Gray as appropriate. You can leave all other settings under Color at their defaults, as other corrections are better made in
Photoshop.

Method 2- suitable for somewhat better individual scans.

Settings: Start with settings as in Method 1. Activate histogram by going
to the Prefs tab and selecting "linear" as the histogram option.

Adjust the sliders on the histogram so that they are positioned just outside
the top and bottom of the curve. This will give you maximum image
information without clipping. You will have to do this for every image. Note that the numbers in the Black Point and White Point boxes will change
as you do this.

Comments: I came up with these methods after considerable trial and error with Vuescan. They have worked well for me over a good many versions of the
software.

The resulting files may not be that great in terms of brightness, colour balance or contrast. The important thing thing is that they will contain
the information needed to make those corrections most effectively in
Photoshop.

Questions welcome.

John Poirier
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