i had a 770 and used conn speaker pipes on it .not such a good setup. milt miller > > Hi, Matt. > > Can't answer on the 525, but it sure seems like an important stop to be = > missing. > > I owned a 770 at one time (little brother to the 840), and it also had the = > Trompette borrowed to 16' in the Great, and all the pedal reeds were = > borrowed. > > In the analog days, Rodgers and others were pretty stingy with the reeds, = > especially on the Great. Part of it was a carry over from organ fashions = > stemming from before the 50's before Orgelbewegung took hold in the US. In = > those days, many organs had no reeds on the great. Part because to do the = > reeds right in analog required a separate keyer that was more expensive = > than for flutes & diapasons. > > This explains the borrowed pedal reeds, but not the 16' Great Trompette, = > which I have never understood. Without a 16' flue of some sort, the reed = > sticks out like a sore thumb. Maybe one of the designers at the factory = > had some piece where it really worked, or maybe the plan was to use it = > with swell couplers & great stops. > > On the 770 & 840, though, you could set most stops to a soft or loud = > setting from the front of the console. Set the Swell for a loud Trompette = > 16' and the Great for soft (or vice versa). With this approach there might = > be some little use for the separate 16' trompette on the great. > > But for me, I've always thought it would be more useful at 8'. They = > finally did that on the 760 which came out 3 or 4 years after the 770 & = > 840. Maybe they listened to their dealers? > > Charlie > > > > >>> caddyorganist@xxxxxxxxxxx 11-07-03 4:43 PM >>> > > While sitting at my 525 I began to wonder about something I never = > really=20 > understood. Why is there no 4' Flute in the Swell? I find this rather = > odd.=20 > Every model above the 525 has a 4' Flute in the Swell. To me this seems = > like=20 > an odd stop to leave off. Why was this done? > > My next two questions came while looking at the stop list for the = > Windsor=20 > 840. Why is the only reed on the Great a 16' Contre Trompette borrowed = > from=20 > the Swell? I would think that if the only reed on the Great was going to = > be=20 > borrowed, it would at least have been at 8'. Also, why are the only reeds = > in=20 > the Pedal borrowed from the Swell? To me this seems to be another odd = > choice=20 > in a Rodgers stop list. > > If anybody could explain the reasoning behind these questions I'd = > really=20 > appreciate it. An inquiring mind would like to know. > > Matt G. > CaddyOrganist@xxxxxxxxxxx=20 > > _________________________________________________________________ > Send a QuickGreet with MSN Messenger=20 > http://www.msnmessenger-download.com/tracking/cdp_games=20 > > ____________________________________________________________________ > To unsubscribe or set to vacation,=20 > go to www.frogmusic.com/rodgersmem.html=20 > If you have any difficulty with this or PayPal,=20 > please contact noeljones@xxxxxxxxxxxxx for help! > > Shop for Playing Guides to your Rodgers Organ at Frog Music Press > > > > ____________________________________________________________________ > To unsubscribe or set to vacation, > go to www.frogmusic.com/rodgersmem.html > If you have any difficulty with this or PayPal, > please contact noeljones@xxxxxxxxxxxxx for help! > > Shop for Playing Guides to your Rodgers Organ at Frog Music Press > > ____________________________________________________________________ To unsubscribe or set to vacation, go to www.frogmusic.com/rodgersmem.html If you have any difficulty with this or PayPal, please contact noeljones@xxxxxxxxxxxxx for help! Shop for Playing Guides to your Rodgers Organ at Frog Music Press