Hello, Carlo, et al: The Rules.... I personally found that many of the "rules" were the persuasions of our organ teachers about how we "should" register a certain piece of literature. Those "rules" are what I often describe as an acquired taste. If you wanted to keep the good will of your teacher, you followed "the rules" of registration, ...predominantly his/her preferences for any given piece. Those "rules" often crossed over into how the organ was registered for service playing, which I think is a gross mistake, for it assumes that certain registrations have dignity, majesty, or certainty over others, ...and, if the teacher was present in the meeting, you might want to impress him/her that you paid attention to his/her instructions. When I grew up, I discovered that many of the "rules" were overkill for many church service situations. Then, ...I had to think for myself. Putting together good sounding registrations meant that I had to actually listen to the organ for myself and decide what was good and what was lacking. Bummer. That's work. <grins> I do not believe that we should ingnore classic organ registration, but, ...PLEASE, ...may I do it myself? ...based on what I hear happening in the room, how the people respond to the music, and how I interpret the music? Isn't that supposed to be part of my job? I think so. What liberty!!! Go ahead, and SOAR ABOVE. When you do, you may find great satisfaction in breaking the "rules." Appreciatively, F. Richard Burt . * Frog Music Press Introduces two new books: Hymn Tune and Classical Duets for Organ and Piano (or PR-300) ---- To unsubscribe or change mail delivery (digest, vacation) go to www.frogmusic.com/rodgersmem.html