On 09/11/2012 02:40 PM, Tim Daneliuk wrote: <SNIp> One point of clarification: Properly speaking the number of bits in a digital system has nothing to do with the range of light you can capture. Rather, it defines *the number of discrete tones you can render*. A 1-bit system would capture the entire range of light because it would display either pure black or pure white, but it would have not other intermediate tones. With 16-bits, you end up with 65,536 such discrete tones. Film, of course, is analog and has no notion of a "discrete" tone. It would be interesting to know - if anyone does - how many shades from pure black to pure white the human eye can distinguish. It would seem THAT would define what an equivalent digital system has to do to compete with film fidelity. ----------------------------------------------------------------------- Tim Daneliuk ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.