Then, I'll start wanting to rewatch Bergmann films, especially "Through a Glass Darkly" where I heard my first Bach Cello Suite, and I was hooked. The cinematography in that film is incredible. A Masterpiece of B+W. Wish I could do that with film and prints.
Bogdan On 18/01/2013 7:58 PM, Bob Younger wrote:
You can't help but be better listening to Bach; having nothing to do with the film, of course.Bob YoungerOn Fri, Jan 18, 2013 at 4:42 PM, Bogdan Karasek <BKarasek@xxxxxxxxxxxx <mailto:BKarasek@xxxxxxxxxxxx>> wrote:Hello, I'm getting ready to develop a dozen film holders of EFKE PL 25 4x5 (Pan and Ortho). I've developed it before in trays, using the Ansel Adams 5 neg shuffle. I was told that that EFKE films have a soft emulsion and are thus prone to having the emulsion scratched and damaged. It is recommended that one use a hardener in the processing sequence, something added to the STOP, I believe. I will be developing in Rodinal 1:200, Kodak Stop, water, and 2 baths of pure hypo (S.thiosulphate). This time, I'll be using a Yankee Daylight Tank. Any recommendations as to what kind of hardener I should use? Any thoughts on the Yankee tank. I usually do small batches with the tray method and larger batches (8x10, 5x7) using tanks and the Kodak film holders for dipping the film. I decided to Use the Yankee Daylight because I want to a still development (agitation for first 30 secs, then sit for 60 minutes ). This way, I won't be sitting in the dark for an hour , waiting. Or will I get better results using the deep tanks and sit in the dark listening to Casals playing Bach's Cello Suites? All suggestions, critiques, comments are welcome. Cheers, Bogdan ============================================================================================================= To unsubscribe from this list, go to www.freelists.org <//www.freelists.org> and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.
