[platcore] Re: buqui rilize
- From: Felipe Fonseca <felipefonseca@xxxxxxxxx>
- To: platcore@xxxxxxxxxxxxx
- Date: Thu, 26 May 2005 03:19:25 -0300
2) sobre a chamada: ok, chamadaberta
pra site é carne de vaca em quaraí.
mas chamada pra publicação não
gera nenhuma interação. menos
colaboração diagonal (aliás, tõ
rascunhando sobre isso lá no
saite). e uma chamada pra escrever
no site, mencionando já a publicação
e a possibilidade de textos jogados,
com a licença que a gente escolher,
serem publicados? porra, a gente
tá na terra que invadiu blogger,
fotolog e orkut. vamo privilegiar
isso...
1) nome. não gosto de cibernética
também. pra mim, computador é
uma merda, puta perda de tempo,
máquina feia, que causa aumento
do aquecimento global e fácil de
quebrar. mas ajuda. qual o
problema de cultura em rede,
e jogar um jorge amado deitadão
na rede de frente pro mar?
f
2005/5/26, ricardorosas <ricardorosas@xxxxxxxxxx>:
> Web_Cultura
>
> Cibercrítica
>
> Ciberteoria
>
> Ciberação
>
> Tecnocrítica
>
> Tecnocultura
>
> Mais sugestões num brainstorm? Manifestem-se!
>
> Abs
>
> Ricardo
>
>
> > 1) net eh gringo. net aqui em tupinolandia
> > eh TV a cabo.
> >
> > 2) nao sei sobre chamar pra pub
> > ou nao, penso e respondo.
> >
> > f
> >
> >
>
> > On 5/25/05, ricardorosas wrote:
> > >
> > > Concordo, e evita que mandem trabalho meia-boca.
> > >
> > > Ricardo
> > >
> > > > Olha só, eu acho que tem que falar que é pra
> > > > publicação, sim. Tá cheio de iniciativa
> > > > marromeno por aí que vc posta se quiser. Talvez,
> > > > se destacar a importâcia dela (publicação), haja
> > > > uma colaboração mais, digamos, eclética e
> > > > ampliada.
> > > >
> > > > Quer na publicação? Enton publica no xemelinto!
> > > >
> > > > Pajunski
> > > >
> > > > > POde ser sim, Felipe, é só alterar na Chamada.
> > > > >
> > > > > Abs
> > > > > Ricardo
> > > > >
> > > > >> rosas,
> > > > >>
> > > > >> por que não fazer a chamada pra nego
> > > > >> escrever direto lá? e sem mencionar,
> > > > >> por enquanto, a publicação, pra não
> > > > >> gerar disputinhas políticas...
> > > > >>
> > > > >> f
> > > > >>
> > > > >> 2005/5/25, ricardorosas :
> > > > >> > OI Felipe, a chamada é para enviar textos e
> > > > >> os textos a gente coloca no
> > > > >> > xemelê.
> > > > >> >
> > > > >> > Abraços
> > > > >> > Ricardo
> > > > >> >
> > > > >> >
> > > > >> > > respondendo por aqui...
> > > > >> > >
> > > > >> > > ainda não gosto de net_cultura. por que
> > > > >> não cultura em rede? tem que
> > > > >> > > ter nome gringo?
> > > > >> > >
> > > > >> > > reitero a necessidade do texto inicial do
> > > > >> site, e pergunto se o call
> > > > >> > > vai ser pra publicação ou pra colaborar
> > > > >> livremente com o site, como a
> > > > >> > > gente tinha conversado, e depois escolher
> > > > >> colaborativamente o que é
> > > > >> > > publicado. porque senão a própria idéia do
> > > > >> site fica meio inútil.
> > > > >> > >
> > > > >> > > quero divulgar o platform.xemele em breve.
> > > > >> assim que sair um nome
> > > > >> > > definitivo. de preferência antes de viajar
> > > > >> (terça).
> > > > >> > >
> > > > >> > >
> > > > >> > >
> > > > >> > > ---------- Forwarded message ----------
> > > > >> > > From: ricardorosas
> > > > >> > > Date: 25/05/2005 00:44
> > > > >> > > Subject: [platform] Book Release
> > > > >> > > To: platform
> > > > >> > >
> > > > >> > >
> > > > >> > >
> > > > >> >
> > > > >> > > Hi Everybody,
> > > > >> > >
> > > > >> > > Here follows the release of the
> > > > >> publication as we have thought and
> > > > >> > > will be disseminating now, along with the
> > > > >> call for works (this one in
> > > > >> > > Portuguese):
> > > > >> > >
> > > > >> > >
> > > > >> > >
> > > > >> > > Net_Cultura - A Reader on Contemporary
> > > > >> Electronic and Internet Brazilian
> > > > >> > Culture
> > > > >> > >
> > > > >> > > Net_Cultura (Net_Culture) is a reader
> > > > >> thought to be published on a year
> > > > >> > basis
> > > > >> > > by the Midiatatica.org Network from
> > > > >> Brazil. It aims to map diverse and
> > > > >> > > contrasting visions and practices of
> > > > >> Brazilian electronic culture.
> > > > >> > Focusing on
> > > > >> > > different aspects of that culture, it will
> > > > >> try to approach both
> > > > >> > marginalized
> > > > >> > > features as well as well-established
> > > > >> characteristics, but always trying to
> > > > >> > > portrait it in a unexpected way, in a
> > > > >> unforeseen angle, be it with
> > > > >> > > contributions by practioners, artists,
> > > > >> programmers, theoreticians,
> > > > >> > cultural
> > > > >> > > actors, activists, writers or the audience
> > > > >> in general. Escaping the
> > > > >> > traditional
> > > > >> > > format of most Brazilian cyberculture
> > > > >> books, it will always try to
> > > > >> > encompass
> > > > >> > > the most distinct voices from the many
> > > > >> communities that compose that
> > > > >> > > production, in its rich diversity and
> > > > >> multiplicity of points of view. As
> > > > >> > such,
> > > > >> > > it will be both academic and amateurish,
> > > > >> practical and theoretical,
> > > > >> > mainstream
> > > > >> > > and underground, making a cross-over of
> > > > >> the sometimes dichotomic aspect of
> > > > >> > that
> > > > >> > > same culture. In fact, Net_Cultura will
> > > > >> try to make a bridge that
> > > > >> > sometimes
> > > > >> > > seems to be so difficult to do between the
> > > > >> academia and popular electronic
> > > > >> > > culture that growns almost unseen
> > > > >> throughout the whole country. The
> > > > >> > > proliferation of popular networks,
> > > > >> net-based or not, creating different
> > > > >> > kinds
> > > > >> > > of productions, be it musical,
> > > > >> informational of communitarian, as well as
> > > > >> > many
> > > > >> > > researches and projects done inside and
> > > > >> outside the universities do need
> > > > >> > sort
> > > > >> > > of a dialogue that can help to define a
> > > > >> Brazilian face in what is made,
> > > > >> > > produced, thought and programmed in here.
> > > > >> Net_Cultura tries to help this
> > > > >> > face
> > > > >> > > to emerge.
> > > > >> > >
> > > > >> > > This year´s release, our first number,
> > > > >> will focus on "Digitofagia"
> > > > >> > > ("Digitophagy"), which refers to the very
> > > > >> Brazilian practice of
> > > > >> > Anthropohagy,
> > > > >> > > the ancient ritual of Brazilian Indians
> > > > >> that used to eat their enemies
> > > > >> > (other
> > > > >> > > tribes, the colonnizers) in order to get
> > > > >> their power. Such a practice
> > > > >> > inspired
> > > > >> > > one of the most important Brazilian
> > > > >> modernist movements to count, Oswald
> > > > >> > de
> > > > >> > > Andrade´s Antropofagia, which had a great
> > > > >> influence in the whole
> > > > >> > Brazialian
> > > > >> > > culture from the 1920´s till now.
> > > > >> Digitofagia tries to bring this issue to
> > > > >> > the
> > > > >> > > present questions of the digital culture,
> > > > >> not only focusing in its obvious
> > > > >> > > questions of intellectual properties, but
> > > > >> also in the practice of
> > > > >> > remixing, the
> > > > >> > > popular practices of improvisation with
> > > > >> electronic devices (the
> > > > >> > "tricknology"),
> > > > >> > > but also many questions as for
> > > > >> collaboration, artistic and activist
> > > > >> > > collectives, piracy, and many other
> > > > >> subjects that are related to the main
> > > > >> > theme.
> > > > >> > >
> > > > >> > > Digitofagia is planned to be 200 pages
> > > > >> long and will be released in
> > > > >> > September
> > > > >> > > 2005. Besides the publication of the first
> > > > >> Net_Cultura reader, a
> > > > >> > conference
> > > > >> > > will be held in Campinas in order to think
> > > > >> up some of the main subjects
> > > > >> > dealt
> > > > >> > > in the book as well as to deepen some
> > > > >> questions related to Brazilian
> > > > >> > electronic
> > > > >> > > culture nowadays. The conference might be
> > > > >> 4 days long and will bring lots
> > > > >> > of
> > > > >> > > theoreticians, practioners, artists,
> > > > >> activists and writers to discuss and
> > > > >> > > research some of the aspects of this
> > > > >> culture. As such, it will have an
> > > > >> > > immersion character in order to avoid
> > > > >> superficial approaches. In addition,
> > > > >> > sort
> > > > >> > > of an exhibition of Brazilian productions
> > > > >> in net and electronic art will
> > > > >> > be
> > > > >> > > shown in a venue in Campinas to complement
> > > > >> the conference.
> > > > >> > >
> > > > >> > >
> > > > >> > >
> > > > >> > > Best
> > > > >> > >
> > > > >> > > Ricardo Rosas
> > > > >> > >
> > > > >> > >
> > > > >> >
> > >
> __________________________________________________________________________
> > > > >> > > UOL Fone: Fale com o Brasil e o Mundo com
> > > > >> até 90% de economia
> > > > >> > > http://www.uol.com.br/fone
> > > > >> > >
> > > > >> > > --
> > > > >> > > FelipeFonseca
> > > > >> > > http://fff.hipercortex.com
> > > > >> > >
> > > > >> >
> > > > >> >
> > >
> __________________________________________________________________________
> > > > >> > UOL Fone: Fale com o Brasil e o Mundo com
> > > > >> até 90% de economia
> > > > >> > http://www.uol.com.br/fone
> > > > >>
> > > > >>
> > > > >> --
> > > > >> FelipeFonseca
> > > > >> http://fff.hipercortex.com
> > > > >>
> > > > >
> > > > >
> > >
> __________________________________________________________________________
> > > > > UOL Fone: Fale com o Brasil e o Mundo com até
> > > > > 90% de economia.
> > > > > http://www.uol.com.br/fone
> > > > >
> > > > >
> > > >
> > > >
> > >
> > >
> __________________________________________________________________________
> > > UOL Fone: Fale com o Brasil e o Mundo com até 90% de economia.
> > > http://www.uol.com.br/fone
> > >
> > >
> > >
> >
> > --
> > FelipeFonseca
> > http://fff.hipercortex.com
> >
>
> __________________________________________________________________________
> UOL Fone: Fale com o Brasil e o Mundo com até 90% de economia
> http://www.uol.com.br/fone
--
FelipeFonseca
http://fff.hipercortex.com
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