[nikonf4] Re: D7000 images

  • From: Mark Stein <mjstein63@xxxxxxxxxxx>
  • To: nikonf4@xxxxxxxxxxxxx
  • Date: Tue, 02 Nov 2010 11:20:49 -0400

Probably hung up in a spam filter...

At 09:21 PM 11/1/2010 -0700, you wrote:

        Neither did I.  I think that F4@xxxxxxxxxxx is toast on my end.


Koichi Yasutani - a.k.a. Steve + MP
Lakewood, WA U.S.A.
2010 / 11 / 1           21:22 PDT

On Nov 1, 2010, at 0903 , Eric Welch wrote:

> That's odd. I didn't get either one. I didn't see them in my spam filters either.
>
> Eric
>
> For every complex problem there is an answer that is clear, simple, and wrong. - H. L. Mencken
>
> On Nov 1, 2010, at 8:35 AM, WiltW@xxxxxxx wrote:
>
>> Both messages which I sent, one to f4@xxxxxxxxxxx and the other to nikonf4@freelists arrived in my AOL mailbox.
>>
>> --wilt
>>
>> In a message dated 11/1/2010 8:22:06 A.M. Pacific Daylight Time, WiltW@xxxxxxx writes: >> 'pieces of graining' or 'pieces of training'...neither mean anything to most folks, even if one is right and the other is wrong! Could you explain?
>>
>> --wilt
>>
>> In a message dated 10/31/2010 10:41:20 A.M. Pacific Daylight Time, ericwelch@xxxxxx writes:
>> Dang spell check. I meant graining.
>>
>> Eric
>>
>> For every complex problem there is an answer that is clear, simple, and wrong. - H. L. Mencken
>>
>> On Oct 31, 2010, at 10:38 AM, Eric Welch <photoew@xxxxxxxxx> wrote:
>>
>>> This is the real deal from our exhibit on high end gold pieces. We have some pieces of training in gold that are mind-boggling it takes such precision.
>>>
>>> Eric
>>>
>>> For every complex problem there is an answer that is clear, simple, and wrong. - H. L. Mencken
>>>
>>> On Oct 31, 2010, at 10:34 AM, Dave <downsouthdave@xxxxxxxxx> wrote:
>>>
>>>> Ah! Atocha treasure, or repros made from the originals as patterns? We saw the Atocha traveling display years ago in Claremont, CA. That whole recovery is a fascinating story. Nice treatment!
>>>>
>>>>
>>>> From: Eric Welch <ericwelch@xxxxxx>
>>>> To: nikonf4@xxxxxxxxxxxxx
>>>> Sent: Sat, October 30, 2010 1:58:03 PM
>>>> Subject: [nikonf4] D7000 images
>>>>
>>>> Got my Nikon D7000 yesterday. It's quite nice. I like it a lot. The customizability is really extensive. The LCD on the back is gorgeous, and the controls are laid out in a logical way. Noise performance is great. ISO 1600 is really, really clean. I haven't shot enough at high ISOs to really say yet how good, but up to 25,600 seems to be usable for some things. Overall, it's the best DX camera Nikon makes by far. And for the price it really makes the D300s look dated. AF is very fast, and accurate.
>>>>
>>>> The only thing that's not great so far is that when it focuses during video you can hear the lenses focusing. I don't even notice the noise from my AF-S lenses as I'm shooting, but it's there in the video sound track. So you really need an external mic to make audio work well apparently. Could this be a major reason other cameras don't have AF during video other than the D3100?
>>>>
>>>> One think Koichi would like is that you can set it so that with non-G lenses you set the aperture with the ring on the lens instead of with a command dial.
>>>>
>>>> I've got two photos you can download. Both less than 1 meg, though they are full size jpegs. When I created them I didn't have an NEF converter for it yet. Got that this morning from Adobe labs where Adobe Camera RAW 6.3 is still in beta.
>>>>
>>>> Here are the links:
>>>>
>>>> Unmodified:
>>>>
>>>> files.me.com/ericwelch/ b1is5f
>>>>
>>>> Added noise reduction in CS5 and tweaked colors and contrast.
>>>>
>>>> files.me.com/ericwelch/ 4juu68
>>>>
>>>> It's from the Atocha, a Spanish galleon that sank off Florida in 1622. We have it on exhibit in the entrance to our library. Mostly high intensity incandescent light with some daylight coming in from a skylight directly above. Colombian emeralds obviously and gold probably from there too.
>>>>
>>>> http://en.wikipedia.org/wiki/Nuestra_Se%C3%B1ora_de_Atocha
>>>>
>>>> Eric
>>>>
>>>> "In the end they will lay their freedom at our feet and say to us, 'Make us your slaves, but feed us.'" - Dostoevsky
>>>>
>> =




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