[nikonf4] Re: D7000 images
- From: Koichi Mac <nikonf3tmd4@xxxxxxx>
- To: nikonf4@xxxxxxxxxxxxx
- Date: Mon, 01 Nov 2010 21:21:57 -0700
Neither did I. I think that F4@xxxxxxxxxxx is toast on my end.
Koichi Yasutani - a.k.a. Steve + MP
Lakewood, WA U.S.A.
2010 / 11 / 1 21:22 PDT
On Nov 1, 2010, at 0903 , Eric Welch wrote:
> That's odd. I didn't get either one. I didn't see them in my spam filters
> either.
>
> Eric
>
> For every complex problem there is an answer that is clear, simple, and
> wrong. - H. L. Mencken
>
> On Nov 1, 2010, at 8:35 AM, WiltW@xxxxxxx wrote:
>
>> Both messages which I sent, one to f4@xxxxxxxxxxx and the other to
>> nikonf4@freelists arrived in my AOL mailbox.
>>
>> --wilt
>>
>> In a message dated 11/1/2010 8:22:06 A.M. Pacific Daylight Time,
>> WiltW@xxxxxxx writes:
>> 'pieces of graining' or 'pieces of training'...neither mean anything to most
>> folks, even if one is right and the other is wrong! Could you explain?
>>
>> --wilt
>>
>> In a message dated 10/31/2010 10:41:20 A.M. Pacific Daylight Time,
>> ericwelch@xxxxxx writes:
>> Dang spell check. I meant graining.
>>
>> Eric
>>
>> For every complex problem there is an answer that is clear, simple, and
>> wrong. - H. L. Mencken
>>
>> On Oct 31, 2010, at 10:38 AM, Eric Welch <photoew@xxxxxxxxx> wrote:
>>
>>> This is the real deal from our exhibit on high end gold pieces. We have
>>> some pieces of training in gold that are mind-boggling it takes such
>>> precision.
>>>
>>> Eric
>>>
>>> For every complex problem there is an answer that is clear, simple, and
>>> wrong. - H. L. Mencken
>>>
>>> On Oct 31, 2010, at 10:34 AM, Dave <downsouthdave@xxxxxxxxx> wrote:
>>>
>>>> Ah! Atocha treasure, or repros made from the originals as patterns? We saw
>>>> the Atocha traveling display years ago in Claremont, CA. That whole
>>>> recovery is a fascinating story. Nice treatment!
>>>>
>>>>
>>>> From: Eric Welch <ericwelch@xxxxxx>
>>>> To: nikonf4@xxxxxxxxxxxxx
>>>> Sent: Sat, October 30, 2010 1:58:03 PM
>>>> Subject: [nikonf4] D7000 images
>>>>
>>>> Got my Nikon D7000 yesterday. It's quite nice. I like it a lot. The
>>>> customizability is really extensive. The LCD on the back is gorgeous, and
>>>> the controls are laid out in a logical way. Noise performance is great.
>>>> ISO 1600 is really, really clean. I haven't shot enough at high ISOs to
>>>> really say yet how good, but up to 25,600 seems to be usable for some
>>>> things. Overall, it's the best DX camera Nikon makes by far. And for the
>>>> price it really makes the D300s look dated. AF is very fast, and accurate.
>>>>
>>>> The only thing that's not great so far is that when it focuses during
>>>> video you can hear the lenses focusing. I don't even notice the noise from
>>>> my AF-S lenses as I'm shooting, but it's there in the video sound track.
>>>> So you really need an external mic to make audio work well apparently.
>>>> Could this be a major reason other cameras don't have AF during video
>>>> other than the D3100?
>>>>
>>>> One think Koichi would like is that you can set it so that with non-G
>>>> lenses you set the aperture with the ring on the lens instead of with a
>>>> command dial.
>>>>
>>>> I've got two photos you can download. Both less than 1 meg, though they
>>>> are full size jpegs. When I created them I didn't have an NEF converter
>>>> for it yet. Got that this morning from Adobe labs where Adobe Camera RAW
>>>> 6.3 is still in beta.
>>>>
>>>> Here are the links:
>>>>
>>>> Unmodified:
>>>>
>>>> files.me.com/ericwelch/ b1is5f
>>>>
>>>> Added noise reduction in CS5 and tweaked colors and contrast.
>>>>
>>>> files.me.com/ericwelch/ 4juu68
>>>>
>>>> It's from the Atocha, a Spanish galleon that sank off Florida in 1622. We
>>>> have it on exhibit in the entrance to our library. Mostly high intensity
>>>> incandescent light with some daylight coming in from a skylight directly
>>>> above. Colombian emeralds obviously and gold probably from there too.
>>>>
>>>> http://en.wikipedia.org/wiki/Nuestra_Se%C3%B1ora_de_Atocha
>>>>
>>>> Eric
>>>>
>>>> "In the end they will lay their freedom at our feet and say to us, 'Make
>>>> us your slaves, but feed us.'" - Dostoevsky
>>>>
>> =
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