Re: [MoAccess] Efficiency in the Wave editor.

  • From: Kevin Reeves <lists@xxxxxxxxxxxxxxx>
  • To: MoAccess@xxxxxxxxxxxxx
  • Date: Thu, 12 Apr 2012 22:16:23 -0400

You, my friend are a fantastic help. There's nothing in the manual about the 
file name bit, so this is very helpful. When you denote the velocity, what is 
the syntax to show range? I'd like to name a file so that it's velocity is 64 
to 96. How is this written? Also, how do you denote keys? Is there a chart I 
can look at to see how this all is written? Are these standards with another 
format with a published set of specs that I can review and learn how to do this 
properly? Anyway, Thanks so much. This could really help me get some libraries 
going here.

Kevin

> Kevin,
> 
> I just have to say this to you. The Wave Editor I've been using for quite 
> some time and it's a great automation tool for converting for example, the 
> samples to a waveform, which is what I do with the software. Then I import 
> the waveforms and manage the voices on the synth.
> 
> I'll try to put things as clear as possible so you can understand a little 
> bit how I deal with it.
> 
> Before going through the whole process of making everything automated, I have 
> to rename the samples in a way that makes easy for the Wave Editor to extract 
> keys and velocity parameters from the file name. For example I have a set of 
> sawtooth samples. The sampled notes are c1, c2, c3, c4 and c5. All have the 
> velocity limit of 127. I rename the samples as follows:
> saw_c1_127
> saw_c2_127
> saw_c3_127
> saw_c4_127
> saw_c5_127
> Done this, I go to Wave Editor and start a new waveform bank, by pressing 
> ctrl+n and selecting if I want to create a voice bank, arpeggio or a waveform 
> for my particular instrument. I select Motif XS waveform file and press enter.
> Next, I go to file menu and select  import keybanks.
> The default open dialog is shown and I select the corresponding samples and 
> press enter.
> After this, it asks me the info to extract from the file name. I type:
> _{key}_{velo}
> The key and velo are in braces. Still in this dialog I go to the list of the 
> imported samples and see if the informations are correct. The info is 
> displayed as a table, so using left and right arrow keys will allow you to 
> read the colluns. If everything is set correctly I hit ok.
> 
> Once imported, I have to go to the list of keybanks and mark all the samples. 
> Right click and select the keyboard split submenu, and choose "split around 
> roots. This will split the samples automatically so you don't have to 
> determine the key range of each and every sample. The velocity is set 
> automatically on importing the samples.
> 
> After importing all the sounds and making all the adjustments, I hit save to 
> ssave the waveform bank and done.
> 
> In case you still have some doubts, please let me know.
> 
> Hope this helps.
> 
> Peace,
> 
> Edu.
> 
> 
> Em 12/4/2012 04:17, Kevin Reeves escreveu:
>> 
>> Hey folks. I'm working on a project whereby I'm converting some of my 
>> favorite sounds from the logic library over to Motif XS Format. A Wave was 
>> absolutely unsuccessful in converting an .exs24 file over to an xs voice. 
>> So, I'm painstakingly going through and importing the waves themselves into 
>> the wave editor to create this sound. I see ways where this could absolutely 
>> take forever, so I have a few questions which might help me speed up this 
>> process a bit.
>> 
>> 1. Is there a way to set key ranges for multiple samples? I tried 
>> highlighting 3 of them and setting the key ranges, but only 1 of them 
>> registered.
>> 2. Is there a function where I can highlight 3 samples and tell it to split 
>> the velocities up? In a sense, I need it to equally divide the 3 samples 
>> into the equal velocity ranges from 1 to 127.
>> 3. Is there a way to go from sample to sample without shift tabbing back to 
>> the table? It would be nice to remain in a parameter and edit it while 
>> moving between samples.
>> 
>> Any help you guys can provide would be greatly appreciated. Thanks so much.
>> 
>> Kevin--
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> 
> 
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