Very tall guy named Jay.......
On Wed, Jan 2, 2019 at 9:12 PM Nick Laptop <norlando@xxxxxxxxxxxx> wrote:
Who is he?
On Jan 2, 2019, at 8:10 PM, Peter Dougenik <peterdougenik@xxxxxxxxx>
wrote:
He’s actually sitting at dinner right now....said he’s having trouble
getting onto the list
On Jan 2, 2019, at 6:56 PM, Brian Laska <brian@xxxxxxxx> wrote:
Just came across the post - I don’t know if he is a member, but he comes
to our practices & matches (as well as set up) all the time.
Brian
On Jan 2, 2019, at 3:07 PM, Rob Boudrie <rob@xxxxxxxxxxx> wrote:
Maybe an art critic
On January 2, 2019 2:57:55 PM EST, "Keith G. Langer" <langerlaw@xxxxxxxx>
wrote:
Quite possibly, both.
KGL
Impressive linguistic craftsmanship. They’re either a lawyer or a
philosopher.
*Erich Thalheimer*
*INCE Board Certified Acoustical Engineer*
27 Peterson Road, Natick, MA 01760
H: (508) 651-9772
C: (617) 785-8249
Thalheimer@xxxxxxx
www.ErichThalheimer.com <http://www.erichthalheimer.com/>
*From:* hsa-bounce@xxxxxxxxxxxxx [mailto:hsa-bounce@xxxxxxxxxxxxx
<hsa-bounce@xxxxxxxxxxxxx>] *On Behalf Of *Keith G. Langer
*Sent:* Wednesday, January 02, 2019 1:49 PM
*To:* hsa@xxxxxxxxxxxxx
*Cc:* hsa@xxxxxxxxxxxxx
*Subject:* [hsa] Re: AR Lowers
Well done.
KGL
Someone posted this on NES. It was too good to not forward:
*I would submit that home-made AR lowers are a fundamentally - and
perhaps, today, the sole - uniquely American art-form(1). Expressionistic,
utilitarian, markedly individualistic while having exacting specs, they
possess a form that typifies both the representational and abstract,
combining an obviously architectural - even neoclassical - linearity with
the flowing curves of technical math, underpinned in an extreme way by the
Scholastic take on existential quantification. Born of war, they are
increasingly directed towards nature and the unknown future by a mankind
still yearning for freedom. They use all-natural, gluten free, and - dare I
say - vegan materials. An AR lower expresses, simultaneously, the
overarching conflicts of man vs. technology, vs. self, vs. nature, and vs.
society, without itself being in any way disharmonized in the conflict. Of
course, for you modernist and post-modern art lovers, you should recognize
that each one, today, is an act rebellious, treading heavily on the
absurdist path at the blurred edge of fictive legislation and social
pseudomores, standing athwart the groupthink of popular reaction-formation
and virtue signaling, remaining emotive and compelling while itself being
cold and unengaged. They challenge the viewer to recognize how much they
bring their own pre-conceived notions on what is, by any account, merely a
hunk of metal or plastic.*
____________________________________________________________
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--
Sent from my Android device with K-9 Mail. Please excuse my brevity.
