hello all indeed, an unusual question, we've never had a Marxist debate on the means/relations of production on our dance tech lists.. (this has been an interesting autumn, though, so far) as to further references for study, one of the dance critics that jumps to my mind is Randy Martin, who has written interestingly and provocatively on motion as a social force. See his essay "Dance and its Others [theory, state, nation & socalism]", in Andre Lepecki, ed., Of the Presence of the Body, Middletown: Wesleyan Univ. Press, 2004, pp. 47-63, and his earlier books, Critical Moves (1998) and Performance as Political Act (1990). Thanks, Matt, for your reply, and for the critical response to "Sea Unsea". If I get the time next week, I shall add some comments on "3 Atmospheric Studies" and "Desh" (Rosas) regards Johannes Birringer Dap-Lab, London http://www.brunel.ac.uk/dap <<< Matt wrote>> Marxist critiques of dance are normally associated with feminist perspectives, so issues of labour & (dance)technology are usually superseded by gender & (dance)technology. I'm assuming you ask your question in a 'non-gendered' sense so I'll respond accordingly. >>>>>>> Searching the archive of both this list and the old list no one has raised your specific question. I can't recall any dance texts that explore that specific space, perhaps someone else knows? The question is dependant on an understanding of the dance/technology which is only just starting to settle. Most dance-tech texts highlight connections rather than looking for answers, so its doubtful you will find critical analysis. MG