Dear Cindy, Nancy, Kelly and Cathy and Keillor Fans,
I missed Ivy Austen, too, and loved the Finnish music.
Dear Lissi,
Thanks for the review. I also like to hear what people, not only critics, think of the movies that are out before I see them.
Cindy
--- Estelnalissi <airadil@xxxxxxxxxxxxx> wrote:
Dear Friends who Enjoy Garrison Keillor,
If I'm the only Garrison Keillor fan on the Bookshare Lists, then please delete now, but there is encouraging evidence that some of you may be interested in my news.
First off, there are 5 books by this mellow voiced, very shy, champion of Midwestern culture and folk, gospel, Celtic, jazz and blues music in the Bookshare collection. They are, in case you don't already have enough to read,
Happy To Be Here
Lake Wobegon Days
Leaving Home
Love Me
and
Me: Jimmy (Big Boy) Valente
This afternoon I saw the new movie, "A Prairie Home Companion." Don't miss it! Yes, some of it is visual, but the dialogue is so engrossing and the music so heartfelt with hilarious and tender lyrics, you won't feel you are missing anything by not seeing the screen.
I expected it to be nostalgic, warm and fuzzy. I expected it to celebrate Keillor's enormous success in bringing grass roots humor and music to a portion of the American population, including myself, who were hungry for the companionship and talent Keillor orchestrated so brilliantly. I expected that, reailistically, the dear man was beyond his creative prime.
The movie delivered dashes of what I expected on the first and second counts, but I was completely wrong on the third. It was no rehash of Keller's career and personal highlights. It was an ingenious interpretation of the truth, "To Every thing there is a season." Keillor went beyond collecting and cleverly presenting anecdotes on the colorful characters he has known. All of his jokes, tall tales, and music making and appreciation have taught him wisdom far greater than the sum of its inspirations.
The appeal of The Prairie Home Companion is fading as American culture has made sweeping, fundamental, lightning fast changes. Baby Boomers are beginning to believe in their mortality and Keillor accepts the passing of his brain child. He has written a grand metaphor for death and change, understanding he can't be the one to write the metaphor for rebirth. He prepares us for his demise and the demise of the Prairie Home he made for us, with humor, grace and a personal detachment no one, no matter how much they love him, have been able to fathom.
My friend, who'd heard his name and never heard his radio show or read his books, laughed and laughed during the movie, and liked the characters. The acting and music was wonderful. I laughed, too, but I also cried. Keillor touched my soul in unexpected ways. The Prairie Home Companion, the radio show many scheduled their weekends so as never to miss, is a cultural phenomenon of decades.This movie, is a theatrical creation which will touch and inform humanity for centuries.
Garrison, I feel wrenchingly wistful, but so very proud of you.
Always with love,
Lissi
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