January 25, 2006, from Lloyd Erlick, At 10:04 PM 1/24/2006 , Richard Knoppow wrote: > Not hydroxide, carbonate! Switching to Potassium sulfite >and Potassium Carbonate may make a little difference, >particularly the carbonate. The two are supposed to be >slightly different in photoactivity but I would not count on >getting much change. There is certainly not much change. I've made a lot of prints this way, and 'much change' is not in the cards. But that is the way I want it -- photography and subtlety go hand in hand, as far as I'm concerned. My work is about skin tones and the illumination of faces. So a subtle alteration of the warmth factor for a print is what I want, and the play between sodium and potassium ions in the developer is a very handy tool. My taste runs to the exchange of all sodium for potassium, and the application of selenium that is relatively concentrated and quite warm. I'm a liberal... > You can add some additional Bromide to the developer. >This will slow it down a little and warm up the tones a >little. In practical terms, under the enlarger, this means the paper will take a lot more exposure to begin to darken the whites. Of course, the blacks will also need more exposure, but it always seems to me the blacks are improved by the extended time they get when potassium is in the developer. Potassium bromide in the developer seems to promote a somewhat more pronounced response to selenium toner. I can't defend this scientifically and I haven't measured it, but it seems that way to me after a lot of use. ... > Kodak Selectol Soft was apparently very similar to >Ansco/Agfa 120. I'd certainly agree with that. I didn't use all that much of the packaged Kodak developer, but my recollection has always been that it's a lot like 120. But 120 is so cheap to prepare, and so easy to dissolve, it's hard to buy commercial developer. The simple step of using distilled water to make up developers eliminates the need for a lot of the complex chemistry a manufacturer must put into a bag of developer powder to accommodate water in diverse locales. Distilled water and a very short list of pretty cheap chemicals is all that is needed to develop film and make really beautiful FB prints. regards, --le ________________________________ Lloyd Erlick Portraits, Toronto. voice: 416-686-0326 email: portrait@xxxxxxxxxxxx net: www.heylloyd.com ________________________________ -- ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.