[pov] Re: "anonymous" photographer & photo theft

  • From: "Viv Ilo E. Veith" <viv@xxxxxxxxxxxxxxxx>
  • To: pov@xxxxxxxxxxxxx
  • Date: Thu, 27 Oct 2011 13:34:06 -0400

Ditto!  I have never quite understood the whole ppi and how to translate it.  
Your explanation is very clear.  I saved it to my Evernote for future 
reference.  

Viv Ilo E. Veith
vividlyclear.com





On Oct 27, 2011, at 1:31 PM, andie Styner wrote:

> Thanks MIchael...
> I've been following this 'conversation' in the background....and I just wanted
> to let you know, (in fact, all you guys that have contributed to the 
> thread)...that it was
> great information and much appreciated.
> 
> andie
> On Oct 27, 2011, at 10:07 AM, Michael Elenko wrote:
> 
>> Rondi,
>> 
>> Sure you can capture anything on a screen. The value of what you've captured 
>> depends on what you are going to do with it, and what is technically 
>> possible. So as a photographer you've got to minimize the risk, while still 
>> reaping the gains of easy visibility. 
>> 
>> If one understands image resolution, and what can come of it, it can help 
>> guide choices.
>> 
>> The statement that "most screen captures are at 72 ppi" is basically 
>> inaccurate. Images don't have an inherent ppi, but they do have a Width x 
>> Height in pixels.  PPI (pixels per inch) is only relevant here regarding the 
>> quality of a print at various output sizes. It's really more useful to use 
>> pixel Width X Height in sizing and evaluating your images.
>> 
>> The whole PPI (or DPI which as a misnomer makes things even more confusing) 
>> is easy to misinterpret, probably because Photoshop has that Image Size 
>> resolution box that tends to default at 72 PPI. Which is meaningless without 
>> looking at the document size output dimensions.
>> 
>> For example: Let's say I upload an image of 1200 x 920 pixels to a site. 
>> Photoshop shows that at 12.778 W X 16.667 H  at 72 PPI. In reality, a 
>> 13x17-in print needs a resolution of about 180 ppi to have a hope of being 
>> good. And the rule of thumb is that the smaller the print, the higher your 
>> PPI needs to be because people can stick their eyeballs that much closer to 
>> smaller prints.
>> 
>> So using this example, what size image would hit the magic 300 PPI target? 
>> Be sure to uncheck the Resample Image box, type in 300 in the PPI box, and 
>> one will see that a 3x4-in image would print out nicely.
>> 
>> Let's further say that the site showing my 1200 x 920 pixel image uses the 
>> transparent gif thing, and that the image appropriator isn't smart enough to 
>> dig into the source code. So they use a screen capture. That screen capture 
>> will never add pixels to the original image. It may come close to the 
>> original size of that image. So I got a 916 x 1159 pixel image from the 
>> screen grab. A print from that at 300 ppi would be 3 x 3.9 inches.
>> 
>> As a photographer if I'm uncomfortable with giving that away, then the 
>> solution is to reduce the size of my original uploaded image. There is zero 
>> need to upload high resolution images to the web in an uncontrolled context, 
>> unless you want to give away your shots (and sometimes that's OK). The 
>> reality is that an image with 640-700 pixels on the long size will meet the 
>> requirement of filling up a computer screen on a webpage with enough detail 
>> to look good.
>> 
>> As a photographer, you can allow an image appropriator to have a screen 
>> shot, as there is only about 25 cents worth of hard value there, but they 
>> are not going to get a decent print out of it. A screen grab of my 700 pixel 
>> image will yield a image of 1.5 x 1-inch for printing at 300 ppi. Go for it 
>> I say.
>> 
>> Ultimately you've got to balance the risk of giving away $.25 per screen 
>> grab with the benefits of having your work (and maybe name) seen by others 
>> cheaply. 
>> 
>> ME
>> 
>> 
>> 
>> For example, 
>> On Oct 27, 2011, at 7:34 AM, Rondi Lightmark wrote:
>> 
>>> Michael and Viv: doesn't a screen capture make the transparent gif useless? 
>>> I had someone who wanted to feature
>>> my work on her website and promised me that she used the gif with all the 
>>> work posted. But a simple screen capture
>>> showed her that she was wrong.
>>> 
>>> John re Facebook: Yikes. When I think of all of the photographers (me 
>>> included), that have a page to promote their work on FB. . .
>>> 
>>> Rondi
>>> 
>>> 
>>> On Oct 27, 2011, at 6:07 AM, John Sage wrote:
>>> 
>>>> On 11-10-26 09:09 PM, Michael Elenko wrote:
>>>>> Thanks Rondi for initiating a very engaging thread, and thanks everyone 
>>>>> for building on it.
>>>>> 
>>>>> Viv, it's great you are being conscientious.  Having a transparent GIF 
>>>>> layer over an image is the approach used by the Nature Photographers 
>>>>> Network on their high quality website. That along with a watermark is 
>>>>> pretty standard. It's great you are being conscientious.
>>>>> 
>>>>> John's advice to embed one's name/copyright in the EXIF and ITPC metadata 
>>>>> fields is very smart and easy to do.  All my images imported into 
>>>>> Lightroom have that performed automatically.
>>>> 
>>>> I've pretty much "standardized" at 640 pixels longest dimension @ 150 ppi. 
>>>> Why that? After some research there are modern devices (some laptops, 
>>>> particularly some mobiles) that use a screen resolution higher than the 
>>>> old classic 72 ppi.
>>>> 
>>>> 
>>>>> I guess the degree of image protection should be correlated with how one 
>>>>> views the value of their images.  And let's face it, the monetary value 
>>>>> of photographs have dropped phenomenally.
>>>> 
>>>> I'm pretty active on Facebook and there's two things I've noted there.
>>>> 
>>>> 1) Facebook strips out any copyright data from the EXIF data -- in fact 
>>>> they seem to re-write the EXIF data completely, and
>>>> 
>>>> 2) Facebook has a breathtakingly draconian (although maybe not unusual) 
>>>> clause in its "Terms of Service":
>>>> 
>>>> http://www.facebook.com/terms.php
>>>> 
>>>> 2. Sharing Your Content and Information
>>>> 
>>>> "You own all of the content and information you post on Facebook, and you 
>>>> can control how it is shared through your privacy and application 
>>>> settings. In addition:
>>>> 
>>>> 1) For content that is covered by intellectual property rights, like 
>>>> photos and videos (IP content),
>>>> 
>>>> -> you specifically give us the following permission, subject to your 
>>>> privacy and application settings: you grant us a non-exclusive, 
>>>> transferable, sub-licensable, royalty-free, worldwide license to use any 
>>>> IP content that you post on or in connection with Facebook (IP License). <-
>>>> 
>>>> This IP License ends when you delete your IP content or your account 
>>>> unless your content has been shared with others, and they have not deleted 
>>>> it."
>>>> 
>>>> 
>>>> "...you specifically give us ... a non-exclusive, transferable, 
>>>> sub-licensable, royalty-free, worldwide license to use any IP content that 
>>>> you post..."
>>>> 
>>>> 
>>>> mkay...
>>>> 
>>>> 
>>>> - John
>>>> -- 
>>>> John Sage
>>>> FinchHaven Digital Photography
>>>> Box 2541, Vashon, WA 98070
>>>> Email: jsage@xxxxxxxxxxxxxx
>>>>   Web: http://www.finchhaven.com/
>>>>  Cell: 206.595.3604
>>>> 
>>>> pov@xxxxxxxxxxxxx
>>>> 
>>>> To subscribe or unsubscribe: //www.freelists.org/list/pov
>>>> 
>>> 
>>> Rondi Lightmark
>>> 
>>> Resolute Imagination is the Beginning of all Magical Operations -- 
>>> Paracelsus
>>>  
>>> 
>>> 
>>> 
>> 
>> Michael Elenko
>> Eye In The Triangle Photography
>> 206-226-3315
>> 
>> 
>> 
>> 
>> 
>> 
> 
> 
> <NEW-11.11.07.gif>
> 

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