[pov] Re: "anonymous" photographer & photo theft

  • From: Michael Elenko <michael.elenko@xxxxxxxxxxx>
  • To: pov@xxxxxxxxxxxxx
  • Date: Thu, 27 Oct 2011 11:27:28 -0700

Harvey,
The most authoritative answer to your question I've seen is by Eric Chan who is 
a highly regarded Photoshop development team member.
His answer here is for the Epson 3880, but I would think the facts can be 
applied to your printer as well. If this link doesn't bring you to the relevant 
section, it is titled "Print Quality."
http://people.csail.mit.edu/ericchan/dp/Epson3800/faq.html#native_res

ME
On Oct 27, 2011, at 10:45 AM, Harvey wrote:

> Hi Michael and all you other POVers. 
> Concerning the "Magic" 300 ppi number. 
> I have heard that although hour labs and the newspaper asks for 300 dpi/ppi; 
> if you're printing at home on a Pro Epson printer, the default output is 360 
> or 180 ppi. 
> If you print with 300 ppi the machine will convert it to 360 ppi. 
> Although it's really hard to tell the difference, when going for the best 
> possible quality, I would think that one would prefer Photoshop to make the 
> ppi change. 
> What say you, Michael? 
> Harvey.
> 
> 
> -----Original Message-----
> From: Michael Elenko <michael.elenko@xxxxxxxxxxx>
> To: pov <pov@xxxxxxxxxxxxx>
> Sent: Thu, Oct 27, 2011 6:07 am
> Subject: [pov] Re: "anonymous" photographer & photo theft
> 
> Rondi,
> 
> Sure you can capture anything on a screen. The value of what you've captured 
> depends on what you are going to do with it, and what is technically 
> possible. So as a photographer you've got to minimize the risk, while still 
> reaping the gains of easy visibility. 
> 
> If one understands image resolution, and what can come of it, it can help 
> guide choices.
> 
> The statement that "most screen captures are at 72 ppi" is basically 
> inaccurate. Images don't have an inherent ppi, but they do have a Width x 
> Height in pixels.  PPI (pixels per inch) is only relevant here regarding the 
> quality of a print at various output sizes. It's really more useful to use 
> pixel Width X Height in sizing and evaluating your images.
> 
> The whole PPI (or DPI which as a misnomer makes things even more confusing) 
> is easy to misinterpret, probably because Photoshop has that Image Size 
> resolution box that tends to default at 72 PPI. Which is meaningless without 
> looking at the document size output dimensions.
> 
> For example: Let's say I upload an image of 1200 x 920 pixels to a site. 
> Photoshop shows that at 12.778 W X 16.667 H  at 72 PPI. In reality, a 
> 13x17-in print needs a resolution of about 180 ppi to have a hope of being 
> good. And the rule of thumb is that the smaller the print, the higher your 
> PPI needs to be because people can stick their eyeballs that much closer to 
> smaller prints.
> 
> So using this example, what size image would hit the magic 300 PPI target? Be 
> sure to uncheck the Resample Image box, type in 300 in the PPI box, and one 
> will see that a 3x4-in image would print out nicely.
> 
> Let's further say that the site showing my 1200 x 920 pixel image uses the 
> transparent gif thing, and that the image appropriator isn't smart enough to 
> dig into the source code. So they use a screen capture. That screen capture 
> will never add pixels to the original image. It may come close to the 
> original size of that image. So I got a 916 x 1159 pixel image from the 
> screen grab. A print from that at 300 ppi would be 3 x 3.9 inches.
> 
> As a photographer if I'm uncomfortable with giving that away, then the 
> solution is to reduce the size of my original uploaded image. There is zero 
> need to upload high resolution images to the web in an uncontrolled context, 
> unless you want to give away your shots (and sometimes that's OK). The 
> reality is that an image with 640-700 pixels on the long size will meet the 
> requirement of filling up a computer screen on a webpage with enough detail 
> to look good.
> 
> As a photographer, you can allow an image appropriator to have a screen shot, 
> as there is only about 25 cents worth of hard value there, but they are not 
> going to get a decent print out of it. A screen grab of my 700 pixel image 
> will yield a image of 1.5 x 1-inch for printing at 300 ppi. Go for it I say.
> 
> Ultimately you've got to balance the risk of giving away $.25 per screen grab 
> with the benefits of having your work (and maybe name) seen by others 
> cheaply. 
> 
> ME
> 
> 
> 
> For example, 
> On Oct 27, 2011, at 7:34 AM, Rondi Lightmark wrote:
> 
>> Michael and Viv: doesn't a screen capture make the transparent gif useless? 
>> I had someone who wanted to feature
>> my work on her website and promised me that she used the gif with all the 
>> work posted. But a simple screen capture
>> showed her that she was wrong.
>> 
>> John re Facebook: Yikes. When I think of all of the photographers (me 
>> included), that have a page to promote their work on FB. . .
>> 
>> Rondi
>> 
>> 
>> On Oct 27, 2011, at 6:07 AM, John Sage wrote:
>> 
>>> On 11-10-26 09:09 PM, Michael Elenko wrote:
>>>> Thanks Rondi for initiating a very engaging thread, and thanks everyone 
>>>> for building on it.
>>>> 
>>>> Viv, it's great you are being conscientious.  Having a transparent GIF 
>>>> layer over an image is the approach used by the Nature Photographers 
>>>> Network on their high quality website. That along with a watermark is 
>>>> pretty standard. It's great you are being conscientious.
>>>> 
>>>> John's advice to embed one's name/copyright in the EXIF and ITPC metadata 
>>>> fields is very smart and easy to do.  All my images imported into 
>>>> Lightroom have that performed automatically.
>>> 
>>> I've pretty much "standardized" at 640 pixels longest dimension @ 150 ppi. 
>>> Why that? After some research there are modern devices (some laptops, 
>>> particularly some mobiles) that use a screen resolution higher than the old 
>>> classic 72 ppi.
>>> 
>>> 
>>>> I guess the degree of image protection should be correlated with how one 
>>>> views the value of their images.  And let's face it, the monetary value of 
>>>> photographs have dropped phenomenally.
>>> 
>>> I'm pretty active on Facebook and there's two things I've noted there.
>>> 
>>> 1) Facebook strips out any copyright data from the EXIF data -- in fact 
>>> they seem to re-write the EXIF data completely, and
>>> 
>>> 2) Facebook has a breathtakingly draconian (although maybe not unusual) 
>>> clause in its "Terms of Service":
>>> 
>>> http://www.facebook.com/terms.php
>>> 
>>> 2. Sharing Your Content and Information
>>> 
>>> "You own all of the content and information you post on Facebook, and you 
>>> can control how it is shared through your privacy and application settings. 
>>> In addition:
>>> 
>>> 1) For content that is covered by intellectual property rights, like photos 
>>> and videos (IP content),
>>> 
>>> -> you specifically give us the following permission, subject to your 
>>> privacy and application settings: you grant us a non-exclusive, 
>>> transferable, sub-licensable, royalty-free, worldwide license to use any IP 
>>> content that you post on or in connection with Facebook (IP License). <-
>>> 
>>> This IP License ends when you delete your IP content or your account unless 
>>> your content has been shared with others, and they have not deleted it."
>>> 
>>> 
>>> "...you specifically give us ... a non-exclusive, transferable, 
>>> sub-licensable, royalty-free, worldwide license to use any IP content that 
>>> you post..."
>>> 
>>> 
>>> mkay...
>>> 
>>> 
>>> - John
>>> -- 
>>> John Sage
>>> FinchHaven Digital Photography
>>> Box 2541, Vashon, WA 98070
>>> Email: jsage@xxxxxxxxxxxxxx
>>>   Web: http://www.finchhaven.com/
>>>  Cell: 206.595.3604
>>> 
>>> pov@xxxxxxxxxxxxx
>>> 
>>> To subscribe or unsubscribe: //www.freelists.org/list/pov
>>> 
>> 
>> Rondi Lightmark
>> 
>> Resolute Imagination is the Beginning of all Magical Operations -- Paracelsus
>>  
>> 
>> 
>> 
> 
> Michael Elenko
> Eye In The Triangle Photography
> 206-226-3315
> 
> 
> 
> 
> 
> 

Michael Elenko
Eye In The Triangle Photography
206-226-3315






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