Harvey, The most authoritative answer to your question I've seen is by Eric Chan who is a highly regarded Photoshop development team member. His answer here is for the Epson 3880, but I would think the facts can be applied to your printer as well. If this link doesn't bring you to the relevant section, it is titled "Print Quality." http://people.csail.mit.edu/ericchan/dp/Epson3800/faq.html#native_res ME On Oct 27, 2011, at 10:45 AM, Harvey wrote: > Hi Michael and all you other POVers. > Concerning the "Magic" 300 ppi number. > I have heard that although hour labs and the newspaper asks for 300 dpi/ppi; > if you're printing at home on a Pro Epson printer, the default output is 360 > or 180 ppi. > If you print with 300 ppi the machine will convert it to 360 ppi. > Although it's really hard to tell the difference, when going for the best > possible quality, I would think that one would prefer Photoshop to make the > ppi change. > What say you, Michael? > Harvey. > > > -----Original Message----- > From: Michael Elenko <michael.elenko@xxxxxxxxxxx> > To: pov <pov@xxxxxxxxxxxxx> > Sent: Thu, Oct 27, 2011 6:07 am > Subject: [pov] Re: "anonymous" photographer & photo theft > > Rondi, > > Sure you can capture anything on a screen. The value of what you've captured > depends on what you are going to do with it, and what is technically > possible. So as a photographer you've got to minimize the risk, while still > reaping the gains of easy visibility. > > If one understands image resolution, and what can come of it, it can help > guide choices. > > The statement that "most screen captures are at 72 ppi" is basically > inaccurate. Images don't have an inherent ppi, but they do have a Width x > Height in pixels. PPI (pixels per inch) is only relevant here regarding the > quality of a print at various output sizes. It's really more useful to use > pixel Width X Height in sizing and evaluating your images. > > The whole PPI (or DPI which as a misnomer makes things even more confusing) > is easy to misinterpret, probably because Photoshop has that Image Size > resolution box that tends to default at 72 PPI. Which is meaningless without > looking at the document size output dimensions. > > For example: Let's say I upload an image of 1200 x 920 pixels to a site. > Photoshop shows that at 12.778 W X 16.667 H at 72 PPI. In reality, a > 13x17-in print needs a resolution of about 180 ppi to have a hope of being > good. And the rule of thumb is that the smaller the print, the higher your > PPI needs to be because people can stick their eyeballs that much closer to > smaller prints. > > So using this example, what size image would hit the magic 300 PPI target? Be > sure to uncheck the Resample Image box, type in 300 in the PPI box, and one > will see that a 3x4-in image would print out nicely. > > Let's further say that the site showing my 1200 x 920 pixel image uses the > transparent gif thing, and that the image appropriator isn't smart enough to > dig into the source code. So they use a screen capture. That screen capture > will never add pixels to the original image. It may come close to the > original size of that image. So I got a 916 x 1159 pixel image from the > screen grab. A print from that at 300 ppi would be 3 x 3.9 inches. > > As a photographer if I'm uncomfortable with giving that away, then the > solution is to reduce the size of my original uploaded image. There is zero > need to upload high resolution images to the web in an uncontrolled context, > unless you want to give away your shots (and sometimes that's OK). The > reality is that an image with 640-700 pixels on the long size will meet the > requirement of filling up a computer screen on a webpage with enough detail > to look good. > > As a photographer, you can allow an image appropriator to have a screen shot, > as there is only about 25 cents worth of hard value there, but they are not > going to get a decent print out of it. A screen grab of my 700 pixel image > will yield a image of 1.5 x 1-inch for printing at 300 ppi. Go for it I say. > > Ultimately you've got to balance the risk of giving away $.25 per screen grab > with the benefits of having your work (and maybe name) seen by others > cheaply. > > ME > > > > For example, > On Oct 27, 2011, at 7:34 AM, Rondi Lightmark wrote: > >> Michael and Viv: doesn't a screen capture make the transparent gif useless? >> I had someone who wanted to feature >> my work on her website and promised me that she used the gif with all the >> work posted. But a simple screen capture >> showed her that she was wrong. >> >> John re Facebook: Yikes. When I think of all of the photographers (me >> included), that have a page to promote their work on FB. . . >> >> Rondi >> >> >> On Oct 27, 2011, at 6:07 AM, John Sage wrote: >> >>> On 11-10-26 09:09 PM, Michael Elenko wrote: >>>> Thanks Rondi for initiating a very engaging thread, and thanks everyone >>>> for building on it. >>>> >>>> Viv, it's great you are being conscientious. Having a transparent GIF >>>> layer over an image is the approach used by the Nature Photographers >>>> Network on their high quality website. That along with a watermark is >>>> pretty standard. It's great you are being conscientious. >>>> >>>> John's advice to embed one's name/copyright in the EXIF and ITPC metadata >>>> fields is very smart and easy to do. All my images imported into >>>> Lightroom have that performed automatically. >>> >>> I've pretty much "standardized" at 640 pixels longest dimension @ 150 ppi. >>> Why that? After some research there are modern devices (some laptops, >>> particularly some mobiles) that use a screen resolution higher than the old >>> classic 72 ppi. >>> >>> >>>> I guess the degree of image protection should be correlated with how one >>>> views the value of their images. And let's face it, the monetary value of >>>> photographs have dropped phenomenally. >>> >>> I'm pretty active on Facebook and there's two things I've noted there. >>> >>> 1) Facebook strips out any copyright data from the EXIF data -- in fact >>> they seem to re-write the EXIF data completely, and >>> >>> 2) Facebook has a breathtakingly draconian (although maybe not unusual) >>> clause in its "Terms of Service": >>> >>> http://www.facebook.com/terms.php >>> >>> 2. Sharing Your Content and Information >>> >>> "You own all of the content and information you post on Facebook, and you >>> can control how it is shared through your privacy and application settings. >>> In addition: >>> >>> 1) For content that is covered by intellectual property rights, like photos >>> and videos (IP content), >>> >>> -> you specifically give us the following permission, subject to your >>> privacy and application settings: you grant us a non-exclusive, >>> transferable, sub-licensable, royalty-free, worldwide license to use any IP >>> content that you post on or in connection with Facebook (IP License). <- >>> >>> This IP License ends when you delete your IP content or your account unless >>> your content has been shared with others, and they have not deleted it." >>> >>> >>> "...you specifically give us ... a non-exclusive, transferable, >>> sub-licensable, royalty-free, worldwide license to use any IP content that >>> you post..." >>> >>> >>> mkay... >>> >>> >>> - John >>> -- >>> John Sage >>> FinchHaven Digital Photography >>> Box 2541, Vashon, WA 98070 >>> Email: jsage@xxxxxxxxxxxxxx >>> Web: http://www.finchhaven.com/ >>> Cell: 206.595.3604 >>> >>> pov@xxxxxxxxxxxxx >>> >>> To subscribe or unsubscribe: //www.freelists.org/list/pov >>> >> >> Rondi Lightmark >> >> Resolute Imagination is the Beginning of all Magical Operations -- Paracelsus >> >> >> >> > > Michael Elenko > Eye In The Triangle Photography > 206-226-3315 > > > > > > Michael Elenko Eye In The Triangle Photography 206-226-3315