On 2/21/2016 8:11 PM, Linda Gehres wrote:
i saw the pilot of the recking crew and it can be injoyed by blind folks becase theires a lot of dialog and a lot of mairation. so injoy. charles n6eyd. sacramento.
Tallguy, thanks so much for the info. I can see this is going to be a difficult movie for audio description, and probably no one thought to audio describe it when it came out, given that it took years to be filmed and for all the royalties to be paid to the proper people.
Linda G.
*From:*ourplace-bounce@xxxxxxxxxxxxx [mailto:ourplace-bounce@xxxxxxxxxxxxx] *On Behalf Of *Tallguy (Redacted sender "tallguy403" for DMARC)
*Sent:* Friday, February 19, 2016 3:24 PM
*To:* ourplace@xxxxxxxxxxxxx
*Subject:* [ourplace] Re: The Wrecking Crew Book
Linda, and others, I have just watched the movie "The Wrecking Crew". It has been out for awhile already. I had it on Blu-Ray -- but that doesn't make a difference. You should be able to find it at your local store, or library.
It is very 1970s style. That is, it is made up of all little short clips, with a lot of graphics all over the place. Sometimes the screen is made up of several photos. Some of them are cut up into little pieces to form the whole. Names of the speakers appear quickly to identify them. It is a documentary, so it moves very fast from person to person. There are many photos appearing as someone is speaking. Many times, we are driving along the street with Tedesco as he points out studios where much of the recordings were made. I can't imagine how this could be described fully to get the full effect.
It was very informative, and so nostalgic. We get to see very young versions of many of the performers from those days. We see them rehearsing in the studio. For many, it would be a shock to realize that all the recordings we know so well were NOT performed by the artists we associate with them. It all came out with the Monkees -- it was then that we realized many bands could be put together by performers, not by musicians. Many times, if a song was a hit, a band of performers (actors) -- usually white -- were put together to go on the road to play the part and be the face of the group. Herb Alpert used the studio musicians to record his first song, The Lonely Bull, but was only able to pay his musicians fifteen dollars each (two for 25). After it was a hit and he made his million dollars, and was fined by the musicians union, he did go back and paid them all their proper wages.
Interesting story, revealing the behind-the-scenes activity of an innocent time.
Tallguy
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*From:*Linda Gehres <ljgehres@xxxxxxx>
*To:* ourplace@xxxxxxxxxxxxx
*Sent:* Thursday, February 18, 2016 9:44 PM
*Subject:* [ourplace] Re: The Wrecking Crew Book
Thanks, Tallguy. I gather this is available on a DVD movie from someplace like Amazon? For sure I’m gonna read the book, but I also want to see the movie—well—at least hear it!!
Linda G.
*From:*ourplace-bounce@xxxxxxxxxxxxx [mailto:ourplace-bounce@xxxxxxxxxxxxx] *On Behalf Of *Tallguy (Redacted sender "tallguy403" for DMARC)
*Sent:* Thursday, February 18, 2016 8:30 PM
*To:* ourplace@xxxxxxxxxxxxx
*Subject:* [ourplace] Re: The Wrecking Crew Book
What the Funk Brothers did for Motown...The Wrecking Crew did, only bigger, for the West Coast Sound. Six years in a row in the 1960's and early 1970's, the Grammy for "Record of the Year" went to Wrecking Crew recordings. And now, THE WRECKING CREW tells the story in pictures and that oh, so glorious sound. The favorite songs of a generation are all here, presented by the people who made them for you. THE WRECKING CREW is a documentary film produced and directed by Denny Tedesco, son of legendary late Wrecking Crew guitarist Tommy Tedesco. The film tells the story of the unsung musicians that provided the backbeat, the bottom and the swinging melody that drove many of the number one hits of the 1960's. It didn't matter if it was Nat "King" Cole, Frank Sinatra, Nancy Sinatra, The Monkees, The Byrds or The Beach Boys, these dedicated musicians brought the flair and musicianship that made the American "west coast sound" a dominant cultural force around the world. The film is a fun and moving tribute from Denny to his father and to the music, the times and to the secret star-making machine known only as "The Wrecking Crew".
The Wrecking Crew is a 2008 American documentary film directed by Denny Tedesco. It covers the story of the Los Angeles-based group of session musicians known as The Wrecking Crew, famed for having played on numerous hit recordings throughout the 1960s. The film premiered at the 2008 South by Southwest Film Festival.
Production began in June 1996 and was completed in February 2008. The film played in film festivals in North America, and was the closing film at the Nashville Film Festival on April 24, 2008. A Kickstarter campaign at the end of 2013 raised over three hundred thousand dollars to cover music licensing and final production costs. The film opened in theaters across the United States on March 13, 2015.
Seven years after its premiere gigs at the 2008 SXSW and Nashville film festivals (when it was originally reviewed by Variety), “The Wrecking Crew” finally has a fair chance to chart on theatrical and VOD turntables. Slightly expanded with a handful of new interviews, not unlike an extra-added-tracks CD edition of a classic LP, this nostalgia-drenched rockumentary remains a hugely entertaining treasure trove of witness-at-creation anecdotes and enduringly potent ’60s pop hits.
Stuffed with samplings of golden oldies, the movie is a well-nigh irresistible treat for auds old enough to recall the era when acts like the Beach Boys, Sonny and Cher, the Association, Nancy Sinatra and the Monkees loomed large on AM radio-station playlists. But even younger folks more attuned to streaming their favorite music may be fascinated by director Denny Tedesco’s examination and celebration of the title subjects, a loose-knit group of largely unknown (except by industry insiders) session musicians, many of whom supplied the defining licks and backbeats — and, in some cases, actually played instruments for band members — on legendary recordings.
Tedesco began work on the project shortly before the 1997 death of his father, Tommy Tedesco, one of two dozen or so exceptionally versatile session musicians known collectively during their mid-century heyday as the Wrecking Crew. Most of these unsung heroes of the ‘60s L.A. music scene had jazz or classical backgrounds before they started playing for rock, pop and R&B artists. (A few, the movie pointedly notes, made the transition only with extreme reluctance.) And all of them, judging from the testimonies of the elder Tedesco and other interviewees, had the time of their lives while enjoying steady employment and, occasionally, making musical history.
It is especially affecting to hear and see clips of an interview with Glen Campbell, a Wrecking Crew regular who played for everyone from Frank Sinatra to the Mamas and Papas, and eventually toured with the Beach Boys — as a temporary replacement for Wilson! — before his solo stardom. The Rhinestone Cowboy sounds hale and hearty during most of his time on screen. But there is a fleeting moment when he pauses, visibly strains to recall a detail, and then casually admits, “I forget what it was.” And that moment is all it takes to remind a viewer that the Campbell of today is a man tragically incapacitated by Alzheimer’s disease. There are more than a few similarly melancholy moments throughout “The Wrecking Crew,” moments that emphasize that the past so joyfully celebrated here is — well, past. But the beat goes on.
Archival footage, still photos and interviews shot in various formats over several years are neatly assembled in a technically polished package.
Tallguy
