Dear Steve, Holding the camera straight is my problem as well..Usually to the other angle. I open photoshop and rotate the angle , everything come straight (1 or2 degrees CCW) and it becomes the perfect horrizontal line in Meiers bridge shot of Paris.Or redevelop the print in the darkroom and another "cadre) , some of the photo will fall off, not much... I would also try yo work on the contrast in the curves to make the people lighter (what you do darkroom : dodge ...) Analoge or digital are both perfect to make the bridge and its people on a straight line. Don't forget the magic of the city because of a "line" , that is sth technically that can be corrected in a whip Yours sincerely Linda ----- Original Message ----- From: Ted Grant To: leicareflex@xxxxxxxxxxxxx Sent: Sunday, June 29, 2008 1:43 AM Subject: [LRflex] Re: Paris, again... Steve Barbour showed: Subject: Paris, again... Very few of my photos mean so much to me, as those from Paris... As we plan another trip, I have been motivated to review, and rework images from earlier. Each time I see them, new thoughts and emotions emerge. I will show some over coming weeks. All are images from previous trips, some never seen, some shown before...almost all taken with leica M cameras, and film... here's one... http://www.solio.us/gallery/album02/man_woman_paris?full=1 Hi Steve, I've just come in from "working my garden". I mean digging big time! It feels like I need a slight cooling off from the 86 degrees Fahrenheit temp. So a break for a cool look at one of my favourite cities also, Paris! You have to love it in the cool of an evening sitting at an outside bar-restaurant watching the beauties passing by. J Oh I mean watching the pleasant scene passing by. ;-) Nice shot ... However! J Now you know when you see, "However" there is going to be a critical comment. J Right? So OK here it is. You didn't hold the camera straight!!!!! Look at the buildings right and left and you tilted the camera down and I know why. Because you wanted to make sure you had the lady's feet and shadow in the frame for sure. Right? But in doing so you spoiled the "perfect" look to this very interesting moment. Nit picking? Damn right, but that's what sorts out the very good shooters as you are 99.999999999999999% of the time. Don't feel bad simply because we all did it or have done it. But once this is pointed out, you will never forget the message any time you put the camera to your eye. Bring on the next one! J ted