[ddots-l] Re: question about monitoring

  • From: "Omar Binno" <omarbinno@xxxxxxxxx>
  • To: <ddots-l@xxxxxxxxxxxxx>
  • Date: Thu, 22 Jan 2009 08:18:04 -0500

Oh okay. Do you use it as a stand-alone unit, or do you use a mixer with it?


Omar Binno

AIM: LOD1116
Skype: obinno1
Website: www.omarbinno.com
  ----- Original Message ----- 
  From: Craig Spencer 
  To: ddots-l@xxxxxxxxxxxxx 
  Sent: Thursday, January 22, 2009 7:59 AM
  Subject: [ddots-l] Re: question about monitoring


  Yes I use the 400

    ----- Original Message ----- 
    From: Omar Binno 
    To: ddots-l@xxxxxxxxxxxxx 
    Sent: Thursday, January 22, 2009 7:06 AM
    Subject: [ddots-l] Re: question about monitoring


    Okay, got it. Craig, are you using the fireface?


    Omar Binno

    AIM: LOD1116
    Skype: obinno1
    Website: www.omarbinno.com
      ----- Original Message ----- 
      From: Craig Spencer 
      To: ddots-l@xxxxxxxxxxxxx 
      Sent: Thursday, January 22, 2009 6:59 AM
      Subject: [ddots-l] Re: question about monitoring


      If you have the audio already recorded, then you will here the effects 
because it is playing back through Sonar.

      What you may want to do is have different mixer set ups in the fireface 
for different applications.
      However, you would need sighted assistance to do this.


        ----- Original Message ----- 
        From: Omar Binno 
        To: ddots-l@xxxxxxxxxxxxx 
        Sent: Thursday, January 22, 2009 6:45 AM
        Subject: [ddots-l] Re: question about monitoring


        Thanks alot for the detailed explanation, Tim. So while I had 
everything plugged into my mixer and not turning on input echo in sonar, the 
routing was taking place through the audio interface/mixer, and not through 
Sonar? But if that is the case, how come I could still hear effects if I 
inserted them on an audio track when playing the project?

        Thanks.

        Omar Binno

        AIM: LOD1116
        Skype: obinno1
        Website: www.omarbinno.com
          ----- Original Message ----- 
          From: Tim Burgess 
          To: ddots-l@xxxxxxxxxxxxx 
          Sent: Thursday, January 22, 2009 4:07 AM
          Subject: [ddots-l] Re: question about monitoring


          Hi Omar,

          OK, here's the deal:

          1 - Monitoring via the interface (known as hardware monitoring) means 
that
          you hear a copy of the signal that's coming into the interface from a 
mic,
          guitar, or whatever, without it being processed by your software.  The
          advantage of this is that there's no appreciable delay between what 
you hear
          yourself playing/singing and what comes back at you from the 
speakers/cans.
          The disadvantage is that you won't hear any FX processing that your 
DAW
          software is adding to the sound (a lot of singers like to ha a bit of 
reverb
          while they're recording and guitarists often don't find it easy to 
play
          their part "dry");

          2 - Software monitoring (like input echo in Sonar) allows you to hear 
the
          treated signal, so the guitarist can hear that monster noise from 
Amplitube
          and the singer can float away into the space created by a reverb 
plug-in.
          This can sometimes help the creative process, but very often 
introduces a
          small lag (called latency).  On a fast machine with a high-quality 
interface
          and good drivers it should be possible to reduce this delay to a 
point where
          nobody notices or, even if you can hear it, it's so small that nobody 
cares.
          However, if you can't reduce it to this level, for whatever reason, 
it can
          make tracking very difficult as it starts to affect your timing.  

          So, there's no right or wrong (as usual), it's just a case of finding 
what's
          appropriate for the instrument/artist you're dealing with and trying 
to tune
          your software to provide the necessary.  Hope that helps.

          Best wishes.

          Tim Burgess
          Raised Bar Ltd
          Phone:  +44 (0)1827 719822

          Don't forget to vote for improved access to music and music 
technology at

          http://www.raisedbar.net/petition.htm
           
          -----Original Message-----
          From: ddots-l-bounce@xxxxxxxxxxxxx 
[mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
          Behalf Of Omar Binno
          Sent: 22 January 2009 07:49
          To: ddots-l@xxxxxxxxxxxxx
          Subject: [ddots-l] question about monitoring

          Okay, this is a very rudimentary question. Until now, my studio setup 
has
          included using a mixer and an audio interface with sonar. However, 
I'm now
          switching to just using an audio interface as a stand-alone, without a
          mixer. I will be using the RME Fireface 800. The question now arises: 
should
          I do my input monitoring through sonar, or through the audio 
interface. My
          knowledge is rather foggy as to exactly what monitoring is used for. 
So
          first, what is monitoring, and second, when using an audio interface 
without
          a mixer, is it preferable to do the monitoring through the interface, 
or
          through sonar.
           
          Thank you for any and all input.
           
           
          Omar Binno
           
          AIM: LOD1116
          Skype: obinno1
          Website: www.omarbinno.com

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