[ddots-l] Re: Notes on Arpeggiator

  • From: Sandy Licht <slicht@xxxxxxxxxxxxxx>
  • To: ddots-l@xxxxxxxxxxxxx, ddots-l@xxxxxxxxxxxxx
  • Date: Wed, 03 Jan 2007 14:50:19 -0600

No, Mike. This is the ddots-l@xxxxxxxxxxxxx list. The Dancing Dots list. At least, that is what my headers say. If this isn't, then I must be in the Twilight Zone... Maybe I am, anyway.



At 01:13        PM 1/3/2007, Mike Christer wrote:
        Hey Sandy!

This is the midimag list, isn't it?

Or are you playing with me, or perhaps my name is really Rachael, and I'm 17
feet tall?

Mike----- Original Message -----
From: "Sandy Licht" <slicht@xxxxxxxxxxxxxx>
To: <ddots-l@xxxxxxxxxxxxx>; <ddots-l@xxxxxxxxxxxxx>
Sent: Wednesday, January 03, 2007 4:41 PM
Subject: [ddots-l] Re: Notes on Arpeggiator


> Since this is the Dancing Dots list, there may be some who have just come
> to hear of Midimag, and they may not realize it is a list for the visually
> impaired.  It's a stretch, I know, but I didn't always know about Midimag.
> Did you?
>
> At 10:26 AM 1/3/2007, Mike Christer wrote:
>>Excuse me, but the question: "Are there many blind members on midi mag?",
>>is
>>probably the dumbest thing I've heard on this list...
>>
>>Don't wanna offend, but for crying out loud...
>>
>>Correct me if I'm wrong, but wasn't the MidiMag list originally created
>>for
>>the visually impaired musician/programmer, or am I living in some parallel
>>universe?
>>
>>I got it, this is the "Twilight Zone", and my real name is Rachael...
>>
>>bemused grins all around
>>
>>
>>----- Original Message -----
>>From: "Sandy Licht" <slicht@xxxxxxxxxxxxxx>
>>To: <ddots-l@xxxxxxxxxxxxx>; <ddots-l@xxxxxxxxxxxxx>
>>Sent: Tuesday, January 02, 2007 5:22 PM
>>Subject: [ddots-l] Re: Notes on Arpeggiator
>>
>>
>> > There are a lot of members on Midimag.  It is a well run list and has
>> > some
>> > of the nicest folks in the world on it.
>> >
>> > At 07:27 AM 1/2/2007, Phil Halton wrote:
>> >>Man!  You must be a busy guy--I sent those notes a month ago.  Are
>> >>there
>> >>many blind users on MIDI MAG?  BTW: if you like new features & toys to
>> >>play with, I've written some CAL programs for Strumming and otherwise
>> >>manipulating chords to make guitar rhythm simulation faster, easier and
>> >>more practical.
>> >>
>> >>----- Original Message ----- From: "Matthew McLaren"
>> >><mattymc2@xxxxxxxxxx>
>> >>To: <ddots-l@xxxxxxxxxxxxx>
>> >>Sent: Tuesday, January 02, 2007 7:01 AM
>> >>Subject: [ddots-l] Re: Notes on Arpeggiator
>> >>
>> >>
>> >>>thanks so much for that, they are really helpful.
>> >>>yay a new feature to play with.
>> >>>u should put them up on the midimag site they are really helpful
>> >>>thanks again
>> >>>
>> >>>Matthew McLaren
>> >>>Post Producer for:
>> >>>Darker Projects: Audio Theatre
>> >>>in a Darker Shade
>> >>>http://www.darkerprojects.com
>> >>>Colonial Radio Theatre on the air
>> >>>http://www.colonialradio.com/
>> >>>
>> >>>Mail:
>> >>>mattymc2@xxxxxxxxxx
>> >>>MSN:
>> >>>mr_squigy_head@xxxxxxxxxxx
>> >>>Skype:
>> >>>mattymc2
>> >>>
>> >>>----- Original Message ----- From: "Phil Halton"
>> >>><philhalt@xxxxxxxxxxx>
>> >>>To: "ddots-l" <ddots-l@xxxxxxxxxxxxx>
>> >>>Sent: Friday, December 08, 2006 5:35 AM
>> >>>Subject: [ddots-l] Notes on Arpeggiator
>> >>>
>> >>>
>> >>>>I was so intrigued with this Cakewalk MIDI effect that I wrote down
>> >>>>my
>> >>>>notes on its layout and usage.  I hope its OK to post them here-maybe
>> >>>>someone out there will find them useful for using this unscripted &
>> >>>>essentially inaccessible plug-in.
>> >>>>
>> >>>>To date, I've only described the arpeggiator in these notes, but I've
>> >>>>successfully used a few of the other CakewalkFX plug-ins(most notably
>> >>>>the Velocity plugin) and they all seem to be based on the same
>> >>>>graphical
>> >>>>faceplate type arrangement.  If there is any interest, I can write up
>> >>>>some of the other plug-ins.
>> >>>>
>> >>>>
>> >>>>My Notes follow:
>> >>>>
>> >>>>Cakewalk MIDI effects--Navigating their interfaces.
>> >>>>
>> >>>>These effects are not accessible via CakeTalking, but you can
>> >>>>navigate
>> >>>>them using the jaws cursor.  The following sections describe these
>> >>>>dialog boxes(actually, they're graphical depictions of a hardware
>> >>>>faceplate), to give an orientation to the layout and position of the
>> >>>>various parameter knobs and sliders.  With this information, you can
>> >>>>easily use the jaws cursor to move around the faceplate, choosing &
>> >>>>setting parameters for the desired effect.  The Sonar help system
>> >>>>gives
>> >>>>detailed information on these MIDI effects, their parameters & their
>> >>>>usage.  This text is only concerned with describing the faceplate
>> >>>>layout-not the effects usage.
>> >>>>
>> >>>>Elements common to all faceplates
>> >>>>
>> >>>>Using the Tab & Shift Tab keys, you can access the following:
>> >>>>
>> >>>>1) The Preset combo box, and its associated Save and Delete buttons.
>> >>>>2) The buttons marked OK, Cancel, Audition and Help.
>> >>>>3) there'll be a third control you'll land on that will say "TAB".
>> >>>>This
>> >>>>is where all the effect parameters are located, but you can't access
>> >>>>them with the tab key while in PC cursor mode.  You'll have to use
>> >>>>the
>> >>>>jaws cursor for them as described in each of the following sections.
>> >>>>
>> >>>>MIDI effect--The arpeggiator.
>> >>>>
>> >>>>As though you were looking at the faceplate of a piece of audio
>> >>>>hardware:
>> >>>>
>> >>>>On the left side, below the title bar is the preset combo box with
>> >>>>its
>> >>>>save & delete buttons to its right.  Below the preset box, there are
>> >>>>3
>> >>>>controls stacked vertically.  The first is the "Units" combo box.
>> >>>>Below
>> >>>>that is the "Path" combo box, and below that is the "Play Through"
>> >>>>checkbox control.
>> >>>>
>> >>>>On the far right of the faceplate are the OK, Cancel, Audition and
>> >>>>Help
>> >>>>buttons, stacked  vertically in that order.
>> >>>>
>> >>>>In the middle is the parameters section of the faceplate.  There are
>> >>>>five sliders and a display box.  The display box has the title
>> >>>>"recognized chord" above it, with the two words stacked above each
>> >>>>other-not on the same line. The Sliders have an edit box atop the
>> >>>>slider(two of these sliders-the output & chord sliders-have edit
>> >>>>boxes
>> >>>>at their bottom as well for specifying a lower limit).  Above the
>> >>>>upper
>> >>>>edit box for each slider is the sliders(parameters) name.  In
>> >>>>addition,
>> >>>>above two of these sliders, namely the Output &  Chord slider, there
>> >>>>is
>> >>>>a button to select them--only one can be selected and each toggles on
>> >>>>and off as you select the other.
>> >>>>
>> >>>> From left to right, the faders are named:
>> >>>>1) Rate
>> >>>>2) Legato
>> >>>>3) Swing
>> >>>>4) Output
>> >>>>5) Chord
>> >>>>
>> >>>>
>> >>>>
>> >>>>
>> >>>>Navigating the faceplate with the jaws cursor
>> >>>>
>> >>>>By routing the jaws cursor to the PC cursor with insert numpad -,
>> >>>>then
>> >>>>pressing PageUp, then Home, you'll be at the upper left corner of the
>> >>>>dialog atop the title bar.  Now, cursoring down and reading the
>> >>>>faceplate a line at a time with the jaws say line command you'll
>> >>>>hear:
>> >>>>1) the preset combo box, then two unlabeled graphics(these are the
>> >>>>preset save and delete buttons), then the OK button
>> >>>>2) the Cancel button
>> >>>>3) Two unlabeled graphics(these are the select buttons for the Output
>> >>>>&
>> >>>>Chord sliders mentioned above)-Activated with single left mouse
>> >>>>click.
>> >>>>4) The slider titles line.  You'll hear "Units:Tab", "RateTab",
>> >>>>"LegatoTab", "SwingTab", "OutputTab", "ChordTab", "Recognized", then
>> >>>>the
>> >>>>Audition button. Don't get confused by the "tab" after each title
>> >>>>word-its just a control type and has no meaning here, its just part
>> >>>>of
>> >>>>the title word.  Also, the word "recognized" is the first word of the
>> >>>>"recognized Chord" title for the visual display area which is not an
>> >>>>input parameter. Note that there are six input parameter titles, then
>> >>>>the display area, then the audition button-it'll help to orient you
>> >>>>to
>> >>>>the faceplate.  Note also that the "units" refers not to a slider,
>> >>>>but
>> >>>>rather to the "Units" combo box which is one of the three controls
>> >>>>stacked on the left side of the faceplate as mentioned earlier.
>> >>>>5) on this line you'll hear the parameter fields themselves.  These
>> >>>>six
>> >>>>fields correspond to the titles on the line above.  By counting in
>> >>>>from
>> >>>>the left edge with the jaws cursor, you can access the desired
>> >>>>parameter. The fields are opened for editting by a double left mouse
>> >>>>click, and exited with the enter key.  Note that the word "chord"
>> >>>>after
>> >>>>the six parameter fields is part of the title for the "recognized
>> >>>>Chord"
>> >>>>display area mentioned above.
>> >>>>6) on this line you'll hear "Path:Tab" and the help button.  Path is
>> >>>>the
>> >>>>title for the "path" combo box.
>> >>>>7) First you'll  hear an unlabeled graphic, then the path edit combo
>> >>>>field-activated with left mouse click.  I'm not sure yet about the
>> >>>>unlabeled graphic-it looks like a power button.
>> >>>>8) this is the line that contains the "Play through" parameter.  The
>> >>>>unlabeled graphic before the words "play through" is the
>> >>>>checkbox-click
>> >>>>it to check and uncheck.  The default state upon opening the
>> >>>>arpeggiator
>> >>>>is unchecked(at least I think so, you'll have to experiment for
>> >>>>yourself).
>> >>>>9) Finally, on this last line of the faceplate, you'll hear two
>> >>>>parameter fields with midi note information in them.  These are the
>> >>>>lower limit parameters for the "Output" & "Chord" parameters.  Open
>> >>>>them
>> >>>>for editting with double left mouse click and exit with the enter
>> >>>>key.
>> >>>>
>> >>>>Some Operational notes
>> >>>>
>> >>>>1) The two unlabeled graphics mentioned in line 3 above seem to be
>> >>>>Function, or "Mode" buttons.  That is, the arpeggiator seems to work
>> >>>>either in "output mode" or "Chord mode".  Output mode actually
>> >>>>creates
>> >>>>the arpeggios and places them in the midi track replacing the
>> >>>>origional
>> >>>>data(or not replacing it depending on the Play through checkbox).
>> >>>>Chord
>> >>>>mode seems to be a visual thing with chords being displayed in the
>> >>>>"recognized Chord" display area-so a sighted person can see what the
>> >>>>chord they've played is actually called, for example C minor9 etc.
>> >>>>In
>> >>>>either case, checking one automatically unchecks the other--as to
>> >>>>which
>> >>>>is which, you'll have to experiment.  Using the audition button, if
>> >>>>you
>> >>>>hear an arpeggio then you've got the "Output" button checked.  If you
>> >>>>don't hear an arpeggio, then you've probably got the "Chord" button
>> >>>>checked.
>> >>>>
>> >>>>2) in the edit fields for the Output & Chord sliders (they have two
>> >>>>each
>> >>>>one at the top and one at the bottom), type the number of the note
>> >>>>and
>> >>>>the field will automatically update the note name--for example type
>> >>>>48
>> >>>>and the field will say "48 C 4".
>> >>>>
>> >>>>3) You can quickly get to the audition button by cursoring up or down
>> >>>>til you hear "Units".  Then press the end key and you'll be on the
>> >>>>audition button where you can left mous click to start the audition.
>> >>>>End the audition with the space bar.
>> >>>>
>> >>>>
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>> >>>>
>> >>>>
>> >>>>--
>> >>>>Internal Virus Database is out-of-date.
>> >>>>Checked by AVG Free Edition.
>> >>>>Version: 7.1.409 / Virus Database: 268.15.13/577 - Release Date:
>> >>>>6/12/2006
>> >>>>
>> >>>
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>> >>
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>> >>
>> >>--
>> >>No virus found in this incoming message.
>> >>Checked by AVG Free Edition.
>> >>Version: 7.1.409 / Virus Database: 268.16.2/613 - Release Date:
>> >>1/1/2007
>> >
>> > Sandy Licht
>> >
>> > Jeremiah 29:11 - 14 A   .
>> > 11 For I know the plans I have for you," says the Lord. "They are plans
>> > for good and not for disaster, to give you a future and a hope. 12 In
>> > those days when you pray, I will listen. 13 If you look for me in
>> > earnest,
>> > you will find me when you seek me. 14 I will be found by you," says the
>> > Lord.
>> >
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>> >
>> >
>> >
>> > --
>> > No virus found in this incoming message.
>> > Checked by AVG Free Edition.
>> > Version: 7.1.409 / Virus Database: 268.16.4/615 - Release Date:
>> > 03/01/2007
>> >
>> >
>>
>>
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>>--
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>
> Sandy Licht
>
> Jeremiah 29:11 - 14 A   .
> 11 For I know the plans I have for you," says the Lord. "They are plans
> for good and not for disaster, to give you a future and a hope. 12 In
> those days when you pray, I will listen. 13 If you look for me in earnest,
> you will find me when you seek me. 14 I will be found by you," says the
> Lord.
>
> ** To leave the list, click on the immediately-following link:-
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> ** ddots-l-request@xxxxxxxxxxxxx
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> ** unsubscribe
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> ** or send a message, to ** ddots-l-request@xxxxxxxxxxxxx with the
> Subject:- faq
>
>
>
> --
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.1.409 / Virus Database: 268.16.4/615 - Release Date: 03/01/2007
>

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--
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.1.409 / Virus Database: 268.16.3/614 - Release Date: 1/2/2007

Sandy Licht

Jeremiah 29:11 - 14 A   .
11 For I know the plans I have for you," says the Lord. "They are plans for good and not for disaster, to give you a future and a hope. 12 In those days when you pray, I will listen. 13 If you look for me in earnest, you will find me when you seek me. 14 I will be found by you," says the Lord.

** To leave the list, click on the immediately-following link:-
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