Graeme, Thanks for the feedback. I am replying to Nikolay in a similar thread, so please review and see if anything strikes a note with you there... However to this reply you offered, is there any way to override or work around this behavior of the profiling engine? What I mean specifically is that despite the crazy nature of CMY gray in the 3/4-tone+ region, at the end of the day, your 300% patch is uncontrollable. My concern with Nik's input was that for me, 300% is 300%. I can't cut it short like you can in an inkjet (where you effectively ink-limit with a sub 100% output). In pure halftone, I have to hit a solid. So the modeled performance contained in the profile I am building is not working when I query for my expected 100% patch's Lab value and fall well short of 100/100/100/0 (300%). Since I understand what both of you are saying, is there a way I can get anywhere with a perceptual intent built by feeding in a synthetic (fake) profile out of argyll? I am going out on a limb here not exactly sure this makes much sense, but at the end of the day, I need... If I query a Lab near paper, then I get near 0/0/0/0... If I query a Lab near solid, then I get near 100/100/100/0... If I query a Lab somewhere in between, I get a best estimate of the CMY build to yield that Lab... On Aug 9, 2013, at 2:43 AM, Graeme Gill wrote: > Jason Campbell wrote: > >> calculated Ink Limit (-v switch). However when I start getting to the 80%+ >> tone value region, the profile starts sucking out on meŠ It pulls back on C >> and M and starts to push Y. In looking at where argyll wants to pin my >> total ink (when left alone; no -l switch) it puts me around 260%, and that >> is what I see in the curves coming from xicclu -- that it starts pulling >> back and at 100% C, M, and Y add up to just about that -- despite my attempt >> to push it. > > Hi, > typically xicclu will indicate what's going on. The B2A table > is created by doing reverse lookups on the A2B table. If either there > are no entries in the A2B using more than 260% ink, or if the gamut > is not increased by using more than 260% ink, then it will never use it. > I would suspect the latter if your chart has 300% test patches. > > Note also that the current code picks the darkest neutral as the > black point for the purposes of gamut mapping, so if your 300% patch is > not neutral even if it has a lower L*, then it probably won't be used > when a gamut mapped B2A table is created. > > Without the profile or .ti3 data to play with, it's not possible > to say anything more specific. > > Graeme Gill. > > > > > >