2013/7/7 Ben Goren <ben@xxxxxxxxxxxxxxxx>: > On Jul 7, 2013, at 6:50 AM, Iliah Borg <iliah.i.borg@xxxxxxxxx> wrote: > >> On Jul 7, 2013, at 2:21 AM, Maciej Bryński wrote: >> >>> >>> I tried on this (it has the smallest a* and b* values) >>> GS11 14.77 15.32 12.62 46.07 -0.00 0.06 >>> 0.16 176.17 0.81 0.81 0.81 0.81 >> >> I see. However Lab values are not enough to judge the spectral response >> flatness, one needs spectral measurements to be sure. On my cards GS11 is >> far from spectrally flat. > > As an example, one would hope that your display that you're reading these > words on would have a white that lies on the neutral axis (for D50 or D65 or > whatever your chosen white point is), but it's as not-spectrally-flat as it > gets: three narrow spikes of red, green, and blue. (PTFE (Teflon) thread tape > and Tyvek, on the other hand, both have very flat (visible) spectra and are > 98%+ reflective.) > > This is why I'm a fan of using the profiling mechanism to determine the white > point. You could have a chart with nothing even remotely close to spectrally > flat or even with neutral tristimulus values, and you'll still get perfect > white balance and exposure. >> QPcard >> http://www.qpcard.com/en_b2c/color-reference-cards/qpcard-203-card.html is >> not very expensive, and it allows better camera profiles compared to IT8. > > I think Maciej might have mentioned that he's got a ColorChecker Passport, > which is better than the QPCard (which is, in turn, better than an IT8) for > camera profiling. And the latest version of Argyll has reference files for > the Passport. I have ColorChecker Passport. WB on grey card varies from 5150 to 5250 K with tint from -1 to 0. So it's not impressive. Graeme, Have you thought about adding option to calculate profile without WB shift ? > Maciej, it's also worth considering making your own chart. Assuming you've > got a spectrophotometer, all you need is a bunch of artist's paints and a > printer. Get as many different paints as you can. Golden Fluid Acrylics is a > good choice if you're buying, or just spend some time in a painter's studio. > Plan it all out ahead of time. You'll want at least the base paint by itself > and another patch (or more) mixed with white. Other mixtures aren't a bad > idea. Figure out how many patches total you'll have, how many painted > patches, and generate the difference with Argyll. Lay it all out in Photoshop > (or whatever), print it on whatever paper you've got that has no optical > brighteners and the largest possible gamut (and glossy is fine, since you > need to light it in a way that doesn't throw specular reflections even if > it's a matte target), and paint squares by numbers. Measure with the > spectrophotometer and you're done. Unfortunately I have only colorimeter (I1Display Pro). And device like I1 Pro 2 is out of my price range. > You could spend as much on paint as you would on a ColorChecker Passport and > have a chart that far surpasses any you can buy commercially -- and have > enough paint left over to make many dozens more. Maybe I can show what I'm talking about. One photo, two profiles. (ProfileMaker and Argyll). Both have average dE less than 1. And I DO see a difference. (photos are in AdobeRGB) http://public.brynski.pl/profile/argyll.jpg http://public.brynski.pl/profile/profilemaker.jpg > Cheers, > > b& Regards, -- Maciek Bryński