--- In quickphilosophy@xxxxxxxxxxxxxxx, "gabuddabout" <gabuddabout@...> wrote: > > Hi Walter, > > I'm writing a book whose title I want to be something like: Rhythm: Listen > Do Write and Teach. Or: A Rhythm Listen: Do, write, and Teach. I don't > think the following works at all: A Spoonful of Counting Helps the Notation > Go Down. > > I want to write a classic text focussing on rhythm only (players supply > pitches, chords, timbre, and technique) that combines ear training with a > metronome (just counting various groups (numbers) and subgroups (subdivisions > of numbers with conventional phonemes), playing what one learned to count > (whispered counting with accented whispers--goal being rhythmic feel without > counting after one digests the atomic 2-feels (The "Fab Four" 2-feels), then > being able to notate all the stuff one learned to play without reading > beforehand. > > The idea is simply that notation requires a system of counting that can be > carved off from notation such that one can teach just the counting with the > result that one learns all that notation will offer anyway. > > Later, it will be shown that Western notation is so full of nuance that it is > too cumbersome to get via just counting and inventing symbols for rests and > accents and accelerando and dynamics without just going into the real > notation. > > So it can be a book for absolute beginners to advanced musicians who would > maybe be able to teach as a result of reading the book, if they aren't > already able to teach as confidently as I think this book will allow. > > I will be noting things that may never have found a place in a book about > rhythm, including the idea that given 12 pitches and two possible sounds, > there are 144 possible atomic 2-feels. Kinda makes music sound sexy, I > know.... > > Also, for percussionists playing drumset and using four limbs, there are the > "Pristine Fifteen" possible limb combinations which exhaust all that such a > one will ever do--excluding voicings, especially all the voicings a Terry > Bozzio gets by having an entire chromatic scale of higher pitched drums on > his left along with a diatonic scale of drum pitches on his right. Not to > mention all the foot pedals! I'd like to have something like that--rather > than a drum pad in my apartment resting on a stack table atop four Collier's > Encyclopedias I can hit with my special slippers. So I need cash. > > Now, knowing you like to tickle the ivories, I'm wondering if you'd like to > help me make some money by being the guy who prints out the notation elements > of the book. What is probably going to go down is that I do this by myself > or with the help of somebody closer to home. > > Finally, the book is not meant as a substitute for other method books. It is > meant as a no-nonsense guide to being able to play and notate all from simple > ways to count while using a metronome in various ways. So I'm hoping to have > a book that is both simple, unique and fairly comprehensive. A classic. > > If you know of any music texts that approach this approach already, please > give me a head's up. To tell the truth, I assumed that if I hadn't come > across one like it, it probably is not out there--but by "out there" is meant > "universally recognized as a killer book on rhythm that ties counting atomic > feels together with loads of playing possibilities with creative metronome > use along with notation in a very readable style that can flow from the tip > of my tongue as easy as I can write a long-winded sentence." > > Paul Creston's _Principles of Rhythm_ comes to mind; but I bet that hardly > many souls have even heard of it, much less read it. > > Thanks. > > Budd > Wow, sounds like a cool project. I'm not really a pianist--I just used to improvise on synths some and write the occasional (usually somewhat aleatoric) piece. I think Larry T. actually plays piano . I don't know the Creston book, and am rhythmically challenged myself. The only orchestration books I've looked at are by Gardner and Piston, I think. But, though I studied with Karel Husa for awhile about 40 years ago, I never learned anything. So, I'm afraid I can't be any help except to promise to buy a copy of your book after you publish it. And I'll certainly make that promise! W