Sometimes, a note in brackets, or a grace note, is place in front of the note main note to indicate which note the trill begins on. The reason is that the convention of which of the two notes should be played first changed over time. In Bach's time, a trill always began on the upper note, but by Beethoven's death it could go either way. Nowadays, the lower note is normally used unless stated otherwise. > I've no idea how I would write a half step trill if I wanted one, say, between F and F#. Trills are normally between two notes that are a step apart, that's to say, if no accidentals were involved they would be a diatonic step apart. So, A-B, B-C, etc. Given this, you'd need to spell one of the notes differently so that they are not variants of the same degree of the scale. I.E. E-sharp and F-Sharp or F-sharp and G-flat. In the first option you'd write an E-sharp in the score and put a sharp above the trill. In the second, you'd write an F natural in the score and put a flat above the trill. Dan Rugman visit the new on-line resource for visually impaired musicians and home of Sibelius Access. www.musicaccess.co.uk -----Original Message----- From: sib-access-bounce@xxxxxxxxxxxxx [mailto:sib-access-bounce@xxxxxxxxxxxxx] On Behalf Of Kevin Gibbs Sent: 15 December 2009 17:36 To: sib-access@xxxxxxxxxxxxx Subject: [sib-access] Re: Affecting a Trill The score I'm transcribing came to me as a PDF of something that I had a friend copy for me by hand in 1985. In his score, there is a note in parentheses to the right of the first note and there is a trill line above both. I'm assuming that's what I need to do and I have no idea how I would write this second note in parentheses. I was able to write the F, first space treble clef, and the trill sign. All this played back with the whole step trill I wanted. There was no natural sign in either the original PDF or my transcription. I've no idea how I would write a half step trill if I wanted one, say, between F and F#. Kevin -----Original Message----- From: sib-access-bounce@xxxxxxxxxxxxx [mailto:sib-access-bounce@xxxxxxxxxxxxx] On Behalf Of Dan Rugman Sent: Tuesday, December 15, 2009 11:20 AM To: sib-access@xxxxxxxxxxxxx Subject: [sib-access] Re: Affecting a Trill Kevin, Actually, the sighted method is pretty quick but it's a pain for us. You select the note that will be trilled and then choose trill from the lines dialog. At this point the trill may need to be pushed up out of the way of the note. After this you need to add a natural symbol from the symbols dialog. The problem is that the natural sign will probably be in the wrong place. It needs to be above the trill (the normal practice is to put it above the "squiggly" line and not above the letters at the beginning of the trill). You may be able to work out where it needs to go by examining the coordinates of both the line and the symbol but it can be hard work. Easier to just get a little sighted help. I'm going to raise this one with Sibelius. A few more trills with accidentals included could be a time saver for everyone. Dan Rugman visit the new on-line resource for visually impaired musicians and home of Sibelius Access. www.musicaccess.co.uk -----Original Message----- From: sib-access-bounce@xxxxxxxxxxxxx [mailto:sib-access-bounce@xxxxxxxxxxxxx] On Behalf Of Kevin Gibbs Sent: 15 December 2009 16:57 To: sib-access@xxxxxxxxxxxxx Subject: [sib-access] Re: Affecting a Trill Dale, I'm sure it does. However, there has to be an easier way because that's something a sighted person wouldn't put up with. I'll call Sibelius and have them explain it. K. If you wish to unsubscribe, send a blank message with the single word, unsubscribe - in the Subject line to: sib-access-request@xxxxxxxxxxxxx If you wish to unsubscribe, send a blank message with the single word, unsubscribe - in the Subject line to: sib-access-request@xxxxxxxxxxxxx If you wish to unsubscribe, send a blank message with the single word, unsubscribe - in the Subject line to: sib-access-request@xxxxxxxxxxxxx