[rollei_list] Re: Rollei TLR flexibility or the Rolleikin effect

  • From: `Richard Knoppow <dickburk@xxxxxxxxxxxxx>
  • To: rollei_list@xxxxxxxxxxxxx
  • Date: Sun, 18 Oct 2020 13:11:28 -0700

   Autochrome was the other color process I could not remember.

On 10/18/2020 1:02 PM, José Manoel Pavoski Neto wrote:

   I agree with you both the Rolleikin adds a lot of flexibility to the Rolleiflex line. The adapter was actually my first experience with the Rollei, because 120 film supplies in Brazil have been unreliable for as long as I can remember (my last few boxes were bought on a trip to Argentina, importing film has since become pretty much unaffordable due to fluctuating exchange rates), and I came to use it a lot, in various forms. either in it's complete form, which I soon discovered was not working properly (I have found the mechanical part of it to be a bit unreliable on film advance), with no mask, for a 52x35mm picture with a terrible focus register, or with homemade and modified masks. I have since settled on removing all the cogs from the original mask and adding a wire spring that slightly catches on the sprocket holes, so that I can count the "thumps" for each frame while winding it. It has, however, caused some occasional tearing of holes on rewinding, something that I am still going to fix. Thinking about it, rewinding with that tiny handle at such an uncomfortable position is one definite con for the set-up. It really is a pain.
   On a brighter note, I feel the 'kin shines on portraits, both for it's orientation and the great Rollei 80mm on a 135 frame. That's a really great combo. It uses the sweet spot of the lens every time, you get the brightest picture on the viewfinder and all the other advantages we all love of using a TLR. I have never mastered the art of using it in a landscape orientation, it's too uncomfortable, and even with the sports finder, a bit confusing.
I have an album here of a few, not really selected, pictures with the Rolleikin and a 2,8F, if anyone's interested:
https://www.flickr.com/photos/rolleifluxo/albums/72157716523361947 <https://www.flickr.com/photos/rolleifluxo/albums/72157716523361947>

All the best,
José

Em dom., 18 de out. de 2020 às 08:06, CarlosMFreaza <cmfreaza@xxxxxxxxx <mailto:cmfreaza@xxxxxxxxx>> escreveu:

    Yes Richard, those were almost experimental color
    processes, they never had significant commercial success,
    at least in comparison with the new Kodachrome and Agfa
    color for 35mm from the middle '30s. I saw some Autochrome
    glass plates taken during WWI. 6,5x9cm glass plates and
    film sheets were very popular in Europe in '20s and '30s,
    the Rolleiflex had room for this size keeping the 6x6
    format, it was the main reason for the Rollei Plate
    adapter, the camera could increase its flexibility without
    a major effort; the Rolleikin was different, it required a
    significant evolution and more time to be perfectioned.
    Carlos

    El sáb., 17 oct. 2020 a las 17:33, `Richard Knoppow
    (<dickburk@xxxxxxxxxxxxx <mailto:dickburk@xxxxxxxxxxxxx>>)
    escribió:

            I sometimes draw blanks on names so I have
        forgotten the name
        of the color film available in the early 1930s. Not
        sure if Dufay
        Color was available that early but certainly predated
        Agfa Color
        or Kodachrome. Kodak also made a couple of early color
        films with
        the names Kodacolor and Kodachrome but using different
        processes
        than the later, more famous, films of those names. I am
        trying to
        get stuff out of my memory I have not thought of for
        too long so
        I am missing the cues I need. One early system used
        dyed starch
        particles in the emulsion and another used stripes of
        ink on the
        emulsion. Kodak also tried a lenticular color film using
        cylindrical lenses impressed on the film support and a
        striped
        color filter in front of the lens. Kodak's system was
        intended
        for home movies. Lenticular film was never very
        successful. It
        had many shortcomings plus was extremely difficult to
        duplicate.
        Paramount Pictures tried it for theatrical movies with
        poor
        success. Dufaycolor and the other process who's name I
        can't
        think of, were quite successful for slides but also were
        impossible to duplicate.
            I think all of these processes were discussed in
        E.J.Wall's
        book on color photography. Probably more detail is
        available now
        on the web, I have not done a search. Some of these
        processes
        needed to be on glass plates which is no doubt why Rollei
        introduced glass plate adaptors.  I should probably
        look all this
        stuff up before posting but, as the math books say, its
        left as
        an exercise for the student.

        On 10/17/2020 12:45 PM, CarlosMFreaza wrote:
        > Hello Richard:
        >                     I agree with you 35mm color film
        gave a
        > significative  impulse for the Rolleikin improvement and
        > production, however the first Rolleikin prototype was
        > introduced in 1932 and the first Rolleikin version
        for the
        > Rolleiflex camera was produced from 1933 up to 1934,
        before
        > Kodak and Agfa introduced the firsts color films with
        > significant  commercial success  in 1935/36. "The
        company
        > stressed the following sales points (talking about the
        > Rolleikin):Film can be cut after any frame and the
        rest still
        > be used. Use of all packing types such as
        daylight-loading
        > cartridges, daylight-loading refills and bulk film.
        In 1939,
        > one more point was added: The Rolleikin is a valuable
        accessory
        > for color photography because the new color films -
        Agfacolor -
        > New and Kodachrome- are presently available only as
        35mm film"
        > (Rollei Report I, Claus Prochnow, page 12-263,
        quoting F&H
        > advertisements at the time). The initial main reason
        to build
        > the Rolleikin was the Leica and Contax cameras
        success and F&H
        > wanted to offer an option to use 35 mm film for their
        > Rolleiflex customers. It was six years after the first
        > Rolleikin introduction that F&H stressed the color
        film use as
        > a selling point for it; "The Rolleikin became one of
        the most
        > important accessories".
        > Carlos
        >
        > El sáb., 17 oct. 2020 a las 15:06, `Richard Knoppow
        > (<dickburk@xxxxxxxxxxxxx
        <mailto:dickburk@xxxxxxxxxxxxx>
        <mailto:dickburk@xxxxxxxxxxxxx
        <mailto:dickburk@xxxxxxxxxxxxx>>>)
        > escribió:
        >
        >     Don't forget that one reason for the 35mm
        adaptors was to
        >     make color film available. 35mm color film became
        available in
        >     the 1930s while roll format color was not
        available until
        >     after
        >     1945.
        >
        >     On 10/16/2020 2:24 AM, CarlosMFreaza wrote:
        >     > Rollei TLR cameras have fixed focal length
        lenses except for
        >     > some hundreds of Mutars, Rolleinars and some
        dedicated
        >     Tele and
        >     > Wide cameras; the regular camera is used with
        the fixed
        >     focal
        >     > length lens most of the times, however the
        Rollei TLR 6x6
        >     > negative size and lens quality help a lot if a
        different and
        >     > longer focal length is required for the scene,
        the camera
        >     > manufacturers knew it and offered means to
        reduce the format
        >     > and the lens angle of view causing a short tele
        effec
        >     like the
        >     > masks for the T and Rolleicord and the
        Rolleikin with the
        >     > additional mechanism for 35mm; these features
        increase the
        >     > Rollei TLR system flexibility.
        >     >
        >     > I like the square format and I try to compose
        for the square
        >     > format all the time using the Rollei TLR and
        SL66 cameras,
        >     > however there are situations where it's
        impossible to do
        >     it. I
        >     > had this situation last week-end photographing
        with the 3,5F
        >     > Planar and Ilford Delta 100, I needed a short
        tele and I
        >     used
        >     > the Rolleikin effect (I uploaded an image
        bigger than the
        >     usual
        >     > size for my web images):
        >     > https://flic.kr/p/2jVmP7H
        <https://flic.kr/p/2jVmP7H> <https://flic.kr/p/2jVmP7H
        <https://flic.kr/p/2jVmP7H>>
        >     <https://flic.kr/p/2jVmP7H
        <https://flic.kr/p/2jVmP7H> <https://flic.kr/p/2jVmP7H
        <https://flic.kr/p/2jVmP7H>>>
        >     >
        >     > and this is a "regular" sht with the same
        camera and same
        >     film:
        >     > https://flic.kr/p/2jT7K9x
        <https://flic.kr/p/2jT7K9x> <https://flic.kr/p/2jT7K9x
        <https://flic.kr/p/2jT7K9x>>
        >     <https://flic.kr/p/2jT7K9x
        <https://flic.kr/p/2jT7K9x> <https://flic.kr/p/2jT7K9x
        <https://flic.kr/p/2jT7K9x>>>
        >     >
        >     > Carlos
        >
        >     --
        >     Richard Knoppow
        > dickburk@xxxxxxxxxxxxx
        <mailto:dickburk@xxxxxxxxxxxxx>
        <mailto:dickburk@xxxxxxxxxxxxx
        <mailto:dickburk@xxxxxxxxxxxxx>>
        >     WB6KBL
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-- Richard Knoppow
        dickburk@xxxxxxxxxxxxx <mailto:dickburk@xxxxxxxxxxxxx>
        WB6KBL

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--
Richard Knoppow
dickburk@xxxxxxxxxxxxx
WB6KBL

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