2010/8/13 Eric Goldstein <egoldste@xxxxxxxxx>: ..... Or cap one lens and shoot 12 mono > shots. That was the cause for the Rolleiflex TLR development. From 1920 to 1928 most F&H production was stereo cameras, they received letters very much from stereo cameras users commenting they also used the cameras for no stereo photography capping one lens and afterward the other lens advancing the film after to take the two frames separately, it gave Heidecke the idea to develop the Rolleiflex sawing off one side of a Heidoscop beside the viewfinder, this awful two lenses first ptototype was enough for Heidecke to convince Paul Franke to develop a no stereo compact roll film camera; BTW the following design and prototypes were different completely, the vertical film advance replaced the horizontal film advance and Heidecke redesigned the camera from the scratch, the design became someway similar regarding the Otto Fricke TLR design patented in 1919 that F&H bought from Mundt &Otto Fricke in 1919 to use the reflex viewfinder for the stereo cameras, however the Fricke TLR patent had horizontal film travel and it never could be a compact camera, the film vertical travel and the film chambers design and film take-up spool position beneath the mirror were Heidecke design keys to obtain compactness for the Rolleiflex.- Carlos --- Rollei List - Post to rollei_list@xxxxxxxxxxxxx - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' in the subject field OR by logging into www.freelists.org - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with 'unsubscribe' in the subject field OR by logging into www.freelists.org - Online, searchable archives are available at //www.freelists.org/archives/rollei_list