Pushing one's film is perfectly fine. At some point the in the process the final image is the goal. If you accomplish this feat by extra development of an underexposed frame, or sheet, so be it. It is a well known that magic doesn't happen and light appears on your negative where once there wasn't any "effective" exposure which is the case in weak, thin exposures that are below the threshold of the film to see it. Are there trade offs and compromises? of course there are. If Jean- David is suggesting that it is a waste of time to push an under exposed roll, I find that to be less than solid advice. I find it much easier to flatten an image out in printing, rather than making an image to acceptable quality in local shadow detail. My bottom line is if there is no image, there is no image. If there is some, it is better to expand the shadow areas up so that you can play with it later. One of the hardest things to do in printing is getting a good black while hold good shadow detail from a poor, or thin negative. It is a good idea to blow a few rolls on film developer test before you try to use any new film on important stuff. Eric Eric Neilsen Eric Neilsen Photography 4101 Commerce Street, Suite 9 Dallas, TX 75226 www.ericneilsenphotography.com skype me with ejprinter www.ericneilsenphotography.com/forum1 Let's Talk Photography -----Original Message----- From: pure-silver-bounce@xxxxxxxxxxxxx [mailto:pure-silver-bounce@xxxxxxxxxxxxx] On Behalf Of BOB KISS Sent: Saturday, July 31, 2010 11:03 AM To: pure-silver@xxxxxxxxxxxxx Subject: [pure-silver] Re: Pushing Arista Edu? DEAR MARTIN, As Baba and Jean-David said, one doesn't really increase the speed of film. However, functionally speaking, I have used Diafine with some success. It is a split dev and, as J-D said, it increases shadow density (compensating dev) but also reduces the contrast in the shadow regions. All this having been said, you can get some decently printable results. I looked on the Massive Dev Chart and didn't find an entry for Arista Edu 100 and Diafine. You should blow a roll on speed tests with Diafine. See what is the highest speed that gives you a negative of "printable quality" by your standards On the other hand, the Massive Dev Chard did show a few options for pushing it to 200. Click this! http://www.digitaltruth.com/devchart.php?Film=Arista+EDU&Developer=&mdc=Sear ch CHEERS! BOB -----Original Message----- From: pure-silver-bounce@xxxxxxxxxxxxx [mailto:pure-silver-bounce@xxxxxxxxxxxxx] On Behalf Of Jean-David Beyer Sent: Saturday, July 31, 2010 7:27 AM To: pure-silver@xxxxxxxxxxxxx Subject: [pure-silver] Re: Pushing Arista Edu? Martin magid wrote: > Has anyone pushed Arista Edu 100 one or two stops to 200 or 400 using > D-76? If so, please post your method. > I never push film. It does not really increase the speed of the film. Pushing seems to consist of developing the film longer, at a higher temperature, or in a more active or more concentrated developer. All any of that does is increase the contrast. This can give the appearance of pushing the film, but the shadow detail that is lost by underexposure does not appear by doing this. If the film is developed normally to get the contrast you want, overdeveloping merely raises the contrast, so what is there on the film will be too contrasty. This may give a more acceptable appearance, using all the zones of which the paper is capable, but it does not increase the speed of the film. About the only way the typical user can increase the apparent film speed is to use two-solution development, soaking the film in the first developer that lacks the the borax, Kodalk, or whatefer, until it is saturated with developer, and then immersing it in the alkaline solution until development is complete. I used to use D-25 for the first solution, but developing it for a shorter time than necessary for normal development and then completing development in the second solution. Adding a little sulfite to the second solution is a good idea. I used to use this as a compensating developer, but it does not compensate (in the sense of rolling off the higher zones); it raises the density of the lower zones. Trouble is that the contrast of the lower zones is reduced, which is the opposite of what I normally would wish to achieve. My solution, where higher speed from the film is required, is to use a higher speed film in the first place. Or supplementary lighting (e.g., flash, reflectors, etc.). -- .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 07:15:01 up 6 days, 10:07, 4 users, load average: 4.62, 4.56, 4.51 ============================================================================ ================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there. __________ Information from ESET NOD32 Antivirus, version of virus signature database 5328 (20100731) __________ The message was checked by ESET NOD32 Antivirus. http://www.eset.com ============================================================================ ================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there. ======= Email scanned by PC Tools - No viruses or spyware found. 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