Jean-David Beyer wrote:
Hi,Richard Knoppow wrote:I am beginning to wonder if this list should continue to be confined to B&W. The reasoning is that "chemical" color photography is based on thesame silver emulsion technology as B&W. Since the whole field of chemicalphotography (my term) has shrunk so much since the introduction of electronic (digital) photography perhaps such restrictions should not continue. What say others?I consider black-and-white photography and color photography to be two different media that happen to use the same equipment and similar processing. These days I am more likely to lump them together as chemicalphotography (that, perhaps, includes processes such as Polaroid -- I am notsure about that). In view of the huge swing to bicycling (inside joke) --digital photography, I think those interested in any form of chemical (wet process?) photography should unite just to keep a few black and white filmsand papers, and a few color films and papers, alive. Just because I think the two are different media (and my color work is seriously inferior to my black and white work), that is no reason for any particular individual to practice only one.
What reasons are there that I should practice color??? Curious in Montreal.While I agree that colour and B+W are chemical, I would side with keeping them seperate; maybe have a "pure-silver B+W" and "Pure-silver Colour" under a chemical banner but then you would have to bring in all alt processes, since they are chemical also.
Let's keep it B+W, my vote. Cheers, Bogdan -- ________________________________________________________________ Bogdan Karasek Montréal, Québec bogdan(at)bogdanphoto.com Canada www.bogdanphoto.com "I bear witness"________________________________________________________________
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