It's made of graphite and clay. Very stable . Archival. Safe. You
should sign the back of the print with it.
The only problems are from mechanical friction rubbing pencil lead
onto a print where you don't really want a grey smudge...
On Feb 13, 2006, at 6:10 PM, Jeffrey Thorns wrote:
When I cut overmats for my b&w prints, I end up with pencil-lead marks on the side of the overmat that touches the photographic print.
Does this pencil lead represent any archival danger to the print?
====================================================================== =======================================
To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.
============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.
