[opendtv] Giving Them What They Want

  • From: Monty Solomon <monty@xxxxxxxxxx>
  • To: undisclosed-recipient: ;
  • Date: Sun, 4 Sep 2005 01:02:09 -0400

Giving Them What They Want

By LYNN HIRSCHBERG
September 4, 2005

After three decades in the TV business, Leslie Moonves, the chairman 
of CBS and the person most responsible for taking the network from 
last place to first in the ratings, has figured out a few things 
about what people want to see when they turn on their televisions. 
''Americans do not like dark,'' Moonves told me last May, before a 
scheduling meeting to select CBS's fall 2005 lineup. Moonves, who was 
wearing a gray suit, white shirt and diagonally striped maroon and 
navy tie, was in a wood-paneled corner office on the 35th floor of 
Black Rock, the longtime home of CBS on 52nd Street in Manhattan. The 
office used to belong to William S. Paley, the legendary tycoon who 
personified CBS for more than 60 years. Truman Capote once remarked 
that Paley ''looks like a man who has just swallowed an entire human 
being,'' and Moonves has that same sort of aggressive vigor -- an 
almost palpable appetite and enthusiasm for the complications and 
constant challenges of network TV.

On this particular Thursday, at 11 a.m., Moonves was considering 
which of the network's current shows to cancel in order to make room 
for new programs. He had decided to take a once-promising show called 
''Joan of Arcadia'' off the air. The show was about a teenager who 
receives directives and advice straight from God. ''In the beginning, 
it was a fresh idea and uplifting, and the plot lines were 
engaging,'' Moonves said, sounding a little sad and frustrated. ''But 
the show got too dark. I understand why creative people like dark, 
but American audiences don't like dark. They like story. They do not 
respond to nervous breakdowns and unhappy episodes that lead nowhere. 
They like their characters to be a part of the action. They like 
strength, not weakness, a chance to work out any dilemma. This is a 
country built on optimism.''

One key to running a successful broadcast network is understanding 
just this kind of thing: what the audience wants -- sometimes even 
before it knows that it wants it. Like a candidate seeking election, 
a network and its shows are voted into prominence by the public. The 
people either tune in or they don't. Unlike the movie business or the 
premium cable industry (of which HBO is emblematic), which charge for 
their products and have much smaller, more homogeneous audiences, 
broadcast TV aims to attract the tens of million of Americans who 
might watch CBS (or ABC or NBC or Fox) on any given night. In recent 
years, CBS shows like ''C.S.I.,'' ''Survivor'' and ''Everybody Loves 
Raymond'' have enticed those multitudes, and as a result the network 
has soared in the ratings. Moonves said that he hopes to have another 
success (or several) of that magnitude this coming season.

...

http://www.nytimes.com/2005/09/04/magazine/04MOONVES.html?ex=1283486400&en=ef2eed3e40ce14d9&ei=5088


 
 
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