That's OK, the only people who could possibly appreciate my song are me. It has its own unique sprung rhythm a la a demential Hopkins and the last line follows my patented technique that I call "break off", wherein another concluding line is called for by all the known forces of poetry and song-writing, a prosodic call that I purposefully turn my back on and thus call attention to the line itself. Though highly criticized as simply bad writing, this technique has won me accolades among many inebriates.
p
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