As some of you may know, I saw _Beowulf_ -- 'the movie -- yesterday. Good performance by Ray Winstone as the eponym hero. Also of Angelina Joel as the personification of Evil, and Sir Anthony Hopkins as the King. I would like to focus in this note in a couple of 'implicatures' of 'masculinity' in Beowulf: SCENE I: KING: Hail, Beowulf! BEOWULF: Hail, King. I've come to Kill the Monster. KING (to Subjects): Beowulf's father is a good friend of mine. How is your father, Beowulf? BEOWULF: -- Dead -- but thanks for asking, anyway. I found that an 'explicature' or 'disimplicature' even -- but you have to see the 'film' for the expression in Beowulf's face -- it's animation. SCENE II: Beowulf has returned from the cave where the Monster's Mother (Angelina Jolie) lives. Instead of killing her, he _converses_ with her, and gets to _know_ her. On his return: KING: So -- Beowulf, Hast thou killed the Monster's Mother? BEOWULF (meditative): Would I have returned alive had I not? ------ SCENE III: Beowulf is dancing in the meadhouse, completely naked. A lady companion to the Queen comments: LADY: He killed the Monster alright. THE QUEEN: Indeed he did. LADY: Would he attack me, too, and embrace as he did to the Monster, with his strong legs, the three of them. This is more of a figurative expression, 'a figure of speech' (skhema lexeos) where _one_ leg must be read as "membrum virilis". ---- SCENE IV: BEOWULF (to Queen) Treat me as MAN, not a hero. Implicature: "Heroes" are _not_ male? ---- SCENE V: BEOWULF (Finn the Frisian): I have no heirs, so will make thee mine. Implicature: He has not performed the social requisite (in standard Christian mythology) for one to become a man, 'to procreate'. But this is Anglo-Germanic. ----- Now going back to the convoluted 'implicatura' (as used by Sidonius, in the Loeb), 'entanglement'. KING: So -- Beowulf, Hast thou killed the Monster's Mother? BEOWULF (meditative): Would I have returned alive had I not? You note the thing may be seen as a 'rhetorical question', +> (i.e. implicating) "Yes". However, the reader or audience or viewer of Beowulf -- in a sort of 'tragical irony' as the Greeks would elaborate rather more, but I still would like to have the original "Anglo-Saxon" for that third-type conditional -- _knows_ that Beowulf has merely _made love_ to the Monster's mother, rather than 'kill' her. So I suppose, in a scheme as provided by argumentation theory we can imagine a scenario where the King becomes McEvoy: McEvoy: Have you killed her? Beowulf: Would I be here if I had not? McEvoy: That's not what I asked. Answer 'yes' or 'no'. But Beowulf _failed_ to answer with a yes or no. So it's up to us to formulate -- in symbols, predicate logic, with the use of the '-->' sign for the 'if' operator, what he may have meant. Once we get to the logical form of the statement (the explicature) we may proceed to analyse its implicatures. I propose the predicate: R: for 'return alive' This would be monadic (one-place) predicate, so that Rx means "x returns alive" Then we need a dyadic predicate (although a monadic version would do), for 'kill': K: 'kill' So that K(x, y) reads "x kills y". Now we need to provide referential axioms for x (= Beowulf) and y (=the Monster's Mother), which become, respectively 'b' and 'm'. We also need a 'chronological' framework as this would be 'tense logic' in the sense of A. N. Prior. So we have 't1 < t2' to mean 'earlier' and 't2 > t2' to mean "later" So, the King's question would be formulated as followed by Beowulf's reply: (K) [?] K(b, m) (B) [?] ~K(b, m) (t1 < t2) --> Rx (t2 > t1) We are wanting to construe (B) as a negative answer to (K). Why? How can we do that in symbols? -- This is _not_ an open book question. Cheers, J. L. Buenos Aires, Argentina. Professor of Logic and Conversation. J. L. Speranza, Esq. St. Michael Hall, Calle 58, No. 611, La Plata B1900 BPY Provincia de Buenos Aires, Argentina. **************************************Check out AOL's list of 2007's hottest products. (http://money.aol.com/special/hot-products-2007?NCID=aoltop00030000000001)