In <URL:news:local.opro> on Wed 09 May, David Pilling wrote: > In message <4641AEB9.3080606@xxxxxxxxxxxxx>, Nick Kaijaks > <nick@xxxxxxxxxxxxx> writes > >As I recall in OP, you have two different colours as endpoints, and > >create a single curve between them. It's not as subtle an effect, and > >not as flexible as a duotone, but it shouldn't introduce any other > >colours either... > > Nick glad to hear you're still with us. > > So with a true duotone, one could have spot colours as the two end > points and just output fractions of them along the way - no made up > process colours. Not my previous understanding, nor my reading of Nick's post. True duotones are a greyscale printed in 2 spot colours, probably with different contrast curves for each spot colour. The endpoints for each being between 0% and 100% of the single spot colour. You still get a paper-colour background. For example you might print the greyscale in green but the shadow areas look a bit weak so you duotone with black printing only in the shadow areas to give a richer tonal range. I have a vague recollection of discussing this about 5 years ago. To get a concept example I had to place the greyscale image onto 2 spot colour layers in Opro, process each appropriately and then print the spot colour layers separately to an inkjet printer (where the spot colours were rendered as cmyk), re-feeding the paper to get an approximation of what the offset litho printer would achieve with a true duotone. Anthony -- ajh@xxxxxxxxxxxxxxxxx