[bksvol-discuss] Deborah - New York (was Re: Currently scanning)

  • From: "Judy s." <cherryjam@xxxxxxxxxxxxxxxx>
  • To: bksvol-discuss@xxxxxxxxxxxxx
  • Date: Wed, 20 Jan 2010 14:34:20 -0600

Deborah, if no one else volunteers for it, I'd like to proof it. It's over 1000 pages, and when I proofread I read the entire book, so it will take me at least two weeks after it's ready for proofing to read it through, if that's OK.


I'm reading his "Sarum" novel right now, and really like it.

Judy s.

Deborah Murray wrote:
Hi all,

I am currently scanning the new one by Edward Rutherfurd, "New York: The 
Novel." As is usual for his books, this one has approximately a squillion pages, so 
it may be a couple weeks before it is submitted! If anyone is interested in proofing it 
just let me know.

From the book jacket:
Edward Rutherfurd celebrates America's greatest city in a rich, engrossing saga that 
showcases his extraordinary ability to combine impeccable historical research and 
Storytelling flair. Rutherfurd tells this tale as no other author could—
from the empty grandeur of the New World to the skyscrapers of the City That Never 
Sleeps, from the intimate detail of lives long forgotten to those lived today at 
breakneck speed—four centuries brought to brilliant life in a rich and vibrant 
fictional tapestry.

The novel begins with a tiny Indian fishing village on the forested island of 
Manna hata, as Dutch traders arrive from across the ocean, seeking to carve out 
their fortunes amid the splendor of the wilderness. In a global war for 
imperial dominance, British settlers and merchants arrived as conquerors, 
bringing aristocratic governors and then unpopular taxation, which led to 
rebellion, war, and the birth of the United States. From the very beginning New 
York has been central to the great events of American history.

Rutherfurd tells this irresistible Story through the interwoven tales of families rich 
and poor, black and white, native-born and immigrant—a cast of fictional and 
true characters whose
fates rise and fall, fall and rise with the city's fortunes. From this intimate 
perspective we see the Revolutionary War, the emergence of the city as a great 
trading and financial center, the convulsions of the Civil War, the excesses of 
the Gilded Age, the explosion of immigration in the late nineteenth and early 
twentieth centuries, the trials of World War II, the near demise of New York in 
the 1970s and its roaring rebirth in the 1990s, and the attacks on the World 
Trade Center.
Greed and corruption have always been the companions of hopes and dreams in New 
York's teeming streets. Deals were struck, politicians corrupted, men bought or 
assassinated, heiresses wooed. Fortunes were amassed on Wall Street and men 
became rich beyond the dreams of avarice. The heady seesaw of wealth and 
poverty was seen in the Roaring Twenties and the Great Crash, the city's future 
symbolised by its buildings that literally soared toward the sky: the Empire 
State Building, the Chrysler Building, the Twin Towers.

Deborah


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