Victor and Dean, sorry about the lack of response in the past week, my email program suddenly decided that AZ observing messages were spam and promptly deleted them. Anyway, Heres the deal with "Dual Stream" processing. Heres the problem: You'll find lots of faked images of encounters of moving comets with non moving deep sky objects. An example is one recent encounter of comet SW3 with the ring nebula. A well known imager manufactured an image of the event by taking some old ring nebula images, some new comet images taken after the event, cutting and pasting them together in what was claimed to be the "exact position during the event", and proclaiming this concoction as a true image of the event. More horrifying is some of the images of the Tuttle/M33 encounter posted on Spaceweather.com, a very popular place to show off latest event type images on a NASA forum. Several of the images posted were created by imagers that were clouded out during the close approach, so they took images from the night before of the comet, an old galaxy shot, and pieced it together, sending to space weather as an actual recording of the event. Gee. So what I did with the M33/ Tittle event was start shooting 2 minute exposures consecutively for 3 hours straight, starting at 7:02 pm, closest approach. I then took every other frame in the sequence (two data streams) and processed them alternately by taking every other image and median combining it one image at at time directly over the comet image in the 7:02 shot, about 25 frames. The Galaxy is almost invisible when you do this. That is because of the 2 minute gap between the data streams cancels out any thing that is not the same in consecutive images in median or sigma reject combine mode. Then I took the other alternate frames (second stream) and aligned and median combined them on to the 7:02 image again but aligning the galaxy. The resulting image is both a sharp galaxy and comet, frozen in time over the 7:02 closest approach frame. So I essentially recorded the event with a series of movie like frames and brought them all back one step at a time to the start frame. I believe this to be a far more responsible and reputable way to generate an image of the event, data actually taken at the time! Chris > > With reference to Chris Schurs's technical > specifications for his Comet > Tuttle 8P image of December 30: > > "... Camera: Hutech Modified Canon XTi @ ISO800 > Exposure: 45 x 2m Continuous dual stream ..." > > and Dean Ketelsen's question January 1: > > "... I assume when you say "two data streams ... > were brought > together" that you mean that you removed the comet > from each frame and > co-added and realigned it to the co-added shot of > the galaxy? ..." > > -------------------------------------------- > > Does "dual stream" refer to an operating mode where > the camera produces > simultaneously files in 2 different formats ?? > > For example, a video camera specification might say: > > " ... 30 frames per second on dual stream mode of > MJPEG and MPEG 4 data > ..." > > I am also interested in how the two streams were > brought together, > thank you. > > Victor Herrero > > > > ____________________________________________________________________________________ > Looking for last minute shopping deals? > Find them fast with Yahoo! Search. > http://tools.search.yahoo.com/newsearch/category.php?category=shopping > -- > See message header for info on list archives or > unsubscribing, and please > send personal replies to the author, not the list. > > ____________________________________________________________________________________ Never miss a thing. Make Yahoo your home page. http://www.yahoo.com/r/hs -- See message header for info on list archives or unsubscribing, and please send personal replies to the author, not the list.