For many participants, right around days 4 and 5 we hit our first motivation slump. If this is true for you, this is normal! But don't let it get the best of you! Read on! We've come to the end of the honeymoon, where simple excitement about the program was enough to help us overcome the challenge of making time to practice. We now need to find real-world techniques and habits to make practice happen. THIS IS WHAT THE 30 DAYS TO BETTER SHIME PROGRAM IS ALL ABOUT! More than practicing shime, we're practicing how to practice. And right now, you have the opportunity for *real* progress! On those days when you don't feel motivated, if you can find some way to get yourself to practice, you have achieved the best improvement possible! I can't say this strongly enough - great players are those of us who can make themselves practice! So take a moment to make it easier to overcome the inertia of non-practice. Grab your batchi and practice pad and put them on the living room table, or in the bathroom... some place central where you can pick up your sticks and start practicing without even having to decide to practice. You're off to a great start! Don't slow down now! Call me if you need some live, military-trainer-type encouragement. :) Kris Q/A, Errata/Suggestions, Thoughts Q - Kinda wanted to get your opinion on this. Do you think its better to hit exactly the same spot with both hands or to give each hand their place? Certainly to make every hit sound the same, hitting the same spot with the same strike in both hands should produce the same sound (harmonics/timbre/etc), but it trains your body two motions that when they start fighting for the same space due to timing issues... leads to bachi clicking... so train around bachi clicking? compromise timbre? or play two different ways at the fast and slow end and some gradient for everything in between? -- Chris A - This is a great question, and to be honest, I don't know yet. I'll hazard an answer... I rarely practice hitting in exactly the same spot with both sticks because it feels like I can't let the batchi move in their simplest paths. If I want both tips to hit in the same spot, instead of the tips of the batchi moving in a simple, perpendicular path, I have to control them to move in a slanting direction. Usually when working on small-drum technique, my focus is to get more for doing less. I'm always trying to relax and let the batchi move simply. So I have two spots, one for the left and one for the right, immediately next to each other, and I try and get each stick to hit its own spot every time. In terms of timbre, most of the time I want the tone that the shime makes when I hit it just off center. But I do think it's useful to be able to make that duller, center-struck tone, and to do it with both sticks. And a case could be made that practicing that way sometimes is another, interesting challenge for the brain and would improve one's ability to control the sticks. -- Kris