In part I'm inspired by Logicomix, an interesting collaboration, with the team including a computer scientist and an artist who illustrated Tintin cartoons, if I'm recalling correctly.[0] Tintin was an important strip in my youth (although I don't think I saw myself as Tintin per se -- I have since met someone who reminds me a lot of Captain Haddock (not sure of the captain's name in the original French)).[1] In Logicomix Wittgenstein is cast as at first a darling of the Vienna Circle, frequented by logical positivists, but only because misunderstood. We're given to understand from Logicomix that the LP camp got it wrong: LW wasn't saying ethics and aesthetics are nonsense, if that means something without value. It's what's in the world that's value neutral (per Tractatus) and is also what philosophy helps us get free from by reconnecting us to our deeper selves (i.e. logic does not "stop" and/or "win" over ethics). The temptation to dispense with ethics is always high in some branches of philosophy. If only one could have the title of philosopher (like a doctor) and not have to take ethical stands, what a relief that would be. Ergo: "that stuff is all nonsense" seems like a perfect out. But do philosophies that dismiss ethics have much of a half-life? In any case, Wittgenstein's philo is not about dismissing huge areas of ordinary language as irrelevant. On the contrary, the esoteric private languages are more likely to shake loose. Computer languages come and go, for example. A logic may be "brittle" (and so not long for this world). LW is a kind of polemicist in some ways, broadcasting about his differences with some "influenza zone" (infected, rather than improved, by its philosophy). And yet he's no stranger to the world he decries, has many friends therein. As to exactly who goes by "logical positivist" today, I'm not quite sure. The machine intelligence vista is mostly taken up with computer science, with some fringe AI around the edges. The artistry and aesthetics in computer work is hardly a 2nd tier topic. It's *The Art* of Computer Programming (Knuth) after all.[2] From my angle, WIttgenstein's philosophy, especially the later one, seems as relevant as ever. "Meaning as use" is a very rich concept in GUI and control panel design. How does one monitor one's own energy consumption? These are engineering questions, but also involve grammar, language games, rules of best fit. An aesthetic sense goes with the territory in other words. Philosophy and art conjoin through many interfaces. Kirby [0] re Logicomix: http://coffeeshopsnet.blogspot.com/2010/05/buzz-about-shops.html http://www.logicomix.com/en/index.php?option=com_content&view=article&id=76&Itemid=59 *Annie Di Donna *studied graphic arts and painting in France and has worked as animator on many productions, among them *Babar* and *Tintin* * * [1] Tintin http://www.flickr.com/photos/17157315@N00/3696376738/ [2] HTML5 is just getting more swoopy by the day: http://www.thewildernessdowntown.com/ http://controlroom.blogspot.com/search?q=HTML5