[rollei_list] Re: "different types of black boxes"
- From: David Seifert <dseifert@xxxxxxxxxxxx>
- To: rollei_list@xxxxxxxxxxxxx
- Date: Sun, 03 Apr 2005 20:48:26 -0700
I would also point out that prior to the war they used that shutter
assembly in a number of different camera models. It is true that they
were all higher end products but they are diverse. I recently acquired
a black pre-war Super Nettel. The one with the folding bed and the RF
derived from the Ikonta. Being that it is a non-interchangeable lens
folding RF camera I had kind of expected it to have a compur shutter.
To my surprise I was greeted with a Contax metal shutter and
furthermore, the film advance and rewind hardware is identical to the
Contax I, right down to the exposure counter. For those keeping score,
in this version the top shutter speed is 1/1000 sec. A very interesting
camera with the most gorgeous black paint finish I have ever seen. The
Contax type shutter/film transport also found it's way into the 1936
Contaflex TLR. Probably the most exquisite piece of engineering to come
from Z-I until the Contarex. Exquisitely expensive too!
Z-I definitely got their mileage out of that shutter/transport design.
David
Marc James Small wrote:
>At 05:00 PM 4/3/05 -0700, Richard Knoppow wrote:
>
>
>
>> I think you are assuming something that is not backed up=20
>>by the evidence. I think the main reason Zeiss-Ikon used the=20
>>Contax type shutter is that they had the design.=20
>>
>>
>
>Richard=20
>
>Emmanuel Goldberg designed the ur-Contax RF shutter. (He was Jewish and
>Zeiss Ikon shunted him off to France after the Nazis took control and, when
>the Germans conquered France, arranged to have him shipped off to Palestine
>with a nice stipend. The Zeiss Foundation did not treat Goldberg or Ernst
>Wandersleb as kindly as they probably should have done, but, at the least,
>the Foundation rose above the sort of treatment being accorded most Jews in
>that era in Germany and in Europe. Faint praise, in the end, is better
>than none.) I do not believe that there is a whole lot of shared design
>theory between the Mirotar's shutter and that on the Contax.
>
>K=FCppenbender, the ultimate Zeiss wheeler-dealer and, arguably, the only
>senior official of Zeiss to ever understand market dynamics, simply
>inherited the Goldberg shutter and kept it in place with modifications from
>1932 until 1960. You are absolutely correct to ponit out that, in 1932,
>1/500" was a decent top speed -- most Compur shutters of the era only
>topped out at 1/250". =20
>
>Marc
>
>msmall@xxxxxxxxxxxx=20
>Cha robh b=E0s fir gun ghr=E0s fir!
>
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