MPEG uses additive colorimetry, which does not lend itself to digitizing color info with a minimal number of bits. This is because the color difference signals have to be scaled to luma. (Interestingly, IBM in Britain used different bit resolution for R, G and B primaries.) Generally, hue and saturation are better coded in polar coordinates. At one time HP used a "color top" type of mapping, for example. Multiplicative colorimetry is well suited to describing the full gamut of colors in digital form. Luma is multiplied by relative saturation strengths of the hues for each of the primaries, and more than three primaries can be used. RCA's U. S. patent No. 4,719,503 to Craver and Arbeiter described this colorimetry. The following paragraph is excerpted from this patent. The number of just noticeable differences (JNDs) in chromaticity has been estimated as being seventeen thousand, of which only about four thousand have been estimated as being reproducible with commercially available color kinescopes. (For a more complete understanding of JNDs of chromaticity see pages 60-61 of PRINCIPLES OF COLOR TELEVISION by the Hazeltine Laboratories Staff, John Wiley & Sons, N.Y.). Fortunately these chromaticity values include those of interest in reproducing natural scenes or in producing artistic effects. Normalization of chrominance information relative to luminance can reduce to twelve the number of bits required to code chrominance without perceptible error, then, if appropriate chrominance map entries are made. MacAdam's book indicates that information concerning optimal choices of color map entries for spacing chromaticity values uniformly is available from work done by members of the Optical Society of America. Where chrominance map memories are never to be updated, the maximum number of read addresses required for them to reproduce all differentiable colors is thus established to be about 2 to the 12th power. The concept of JNDs is attributable to Jann, I believe. I don't remember his first name. I don't know if anyone has researched video compression using multiplicative colorimetry. Al Limberg ----- Original Message ----- From: <albert.e.manfredi@xxxxxxxxxx> To: <opendtv@xxxxxxxxxxxxx> Sent: Friday, August 18, 2006 3:22 PM Subject: [opendtv] All colors of rainbow in new display concept > This new display concept uses tunable diffraction gratings, maybe a couple or more dedicated to each pixel of the display, to create color images from all colors of the rainbow. The gratings are tiny, made of a rubbery substance that flexes by applying different voltages to it. > > Will this make images from existing RGB-based displays look like cartoon colors? > > Bert > > > http://www.digitaltvdesignline.com/shared/article/showArticle.jhtml?articleId=192201780 > > > > ---------------------------------------------------------------------- > You can UNSUBSCRIBE from the OpenDTV list in two ways: > > - Using the UNSUBSCRIBE command in your user configuration settings at FreeLists.org > > - By sending a message to: opendtv-request@xxxxxxxxxxxxx with the word unsubscribe in the subject line. > ---------------------------------------------------------------------- You can UNSUBSCRIBE from the OpenDTV list in two ways: - Using the UNSUBSCRIBE command in your user configuration settings at FreeLists.org - By sending a message to: opendtv-request@xxxxxxxxxxxxx with the word unsubscribe in the subject line.