That's a very nice photo Larry, except for the blob at the top which needs to be removed as it draws the eye right to it away from the bird. That can be done in any decent photo editor but I actually did it in Lightroom 5 with the new healing tool and also removed the blue spot on the right "just because I could" as Jack Davis says, and it does look better without it. If I was doing it for myself I would probably remove some of the blue spots below the bird also but not a big deal there. I used Topaz Clarity plugin on a duplicate layer to bring out a little detail in the bird and it also toned down the highlights just a smidge, but it also brightened the water so I applied it only to the bird with a layer mask which means I just painted it onto the bird only with the paint brush tool. All of that only took about 10 minutes tops. Then I added a slight vignette around the edges to put the focus on the bird by slightly darkening the edges. Before on left but after I removed the blob. Oh, also cropped it a bit, too much empty space IMO. I didn't add sharpening because Photoshop sharpens a bit when the image is downsized. _G8A1003orig.jpg _G8A1003-edit.jpg Below is a larger version of the edited image. It does have a little more detail in the feathers but I didn't set the micro contrast as high as the preset because it made the noise show up. So ideally if you use any plugin that brings out fine detail you need to remove as much noise as possible first. _G8A1003lg.jpg Watched Jack Davis for 3 days this week in Adobe Camera Raw and learned a GREAT TIP about using minus sharpening even -100 with the adjustment brush and brushing over the background to blur it in either Adobe Camera Raw in Photoshop or in Lightroom. He said that Adobe really improved the blurring algorithm in the very last v 5.2 and also made it fade into the sharp area better instead of the previous hard transition. Jack demoed it on 2 images. wow! You can also use the adjustment brush with minus clarity settings to smooth out areas such as noise, not as drastic. Of course it's perfect for retouching skin in portraits. Then you can also use the adjustment brush with plus clarity on detailed areas including eyes. That is what he prefers to use over sharpening. BTW today's session where he covered a lot of this stuff is being re-run tonight, already on now. Even though a lot is on faces, the technique can apply to any sharpening/blurring in Lr or ACR. He also covered 3 ways to do vignettes in great detail. Judy Howle Southern Exposures Photography http://southernexposure.zenfolio.com Digital Photography Class; photography information and resources http://digitalphotographyclass.net From: missbirdphotos-bounce@xxxxxxxxxxxxx [mailto:missbirdphotos-bounce@xxxxxxxxxxxxx] On Behalf Of Larry Pace Sent: Thursday, October 10, 2013 10:34 AM To: missbirdphotos@xxxxxxxxxxxxx Subject: [missbirdphotos] Critique Hi guys Haven't heard much from our photographers lately. Everyone must be very busy! With the recent rains and the Government shutdown, my usual, reliably productive spots are either unaccessible or flooded. I have been going over some of the photos I shot in September and trying out new PP techniques (primarily retouching tools). Of course. as usual, I am never completely satisfied with the results. I am attaching a photograph of a Least Sandpiper that was very active in "chasing" its neighbors as they were feeding. If I could get you guys to look very closely at the photo and give me some feedback, based on what you prefer in a photo, that would be very instructive for me. Give some attention to all of the qualities you like in a bird photo. I have a really thick skin so be straight forward with your opinions--comments. Consider both technical and esthetic aspects of photo.