For some reason Mike Chase has gratuitously assumed that I am an 'analytic philosopher,' but let it pass. Let me respond to two things Mike says. I wrote that 'there's an answer in the film to one of the film's questions.' There is. It's the answer to the Cartesian question, Real or not? The Matrix answers it: the experience of 'most people' is illusory and we know how (aside from the, well, finer details) how the illusion is brought about. How is this different from Descarte's Evil Genius hypothesis, which he presents as the last of his increasingly sceptical suppositions (which up to this point have been disposed of rather easily)? Just this way. Descartes never pulls back the metaphysical curtain and reveals the Evil Genius doing his evil work. Nor, of course, does he pull it back and reveal that there _is_ no Evil Genius. What he does is argue (that is, do a bit of philosophy) that such a being could not destroy one last bit of certainty, namely, that he, Descartes, can, through doubting, be said--as a doubting (thinking) thing--to exist. There is, eventually, a further argument about God, the idea of perfection, and much more. Whether these are good or bad arguments would seem irrelevant. Thus 'the Cartesian question' is answered in The Matrix, although, as I said, the answer is a bit short on technical details. We are shown and we are told that for 'most people' (why call them 'people, really?) there is no way of finding out, but we are also shown and told that their experience _is_ an illusion, and moreover, we're shown (sort of) how the illusion is produced. The question of why people would or would not prefer reality to illusion isn't the one I had in mind. Second, Mike finds it strange that I continue to deny that The Matrix is of much philosophical interest. (I really think it's of _no- philosophical interest, but let's go with the weaker assumption.) He says this in part because some trendy famous people like David Chalmers, have written philosophically interesting papers about the film, and about the issues allegedly found in it, and because we've been having a philosophical discussion of it here on the list (QED). Mike has the advantage of me here, for I haven't read Chambers, et al, on, but I wonder which of Eric's paths they've taken. I suspect it's that of '[using] the film as a tabula [rasa?] on which to project philosophical themes not inherent in [its] creation.' Well, of course, this will seem question-begging to those who want to claim that the film _is_ fraught with philosophical issues, and that these issues are set forth in it in provocative and challenging ways. I'm sure I'm blind to a great deal in this much-praised, much interpreted masterpiece, but despite what its defenders say it doesn't even come close to that great philosophical classic 'What is it Like to be a Bat?' which I just watched for the twenty-first time on the Discovery Channel. Robert Paul Reed College (I've been told offlist that there is an entire book devoted to 'the philosophy of The Matrix.') ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html