If that's so, then wouldn't the volume of the combined track and buss outputs be much greater than that of the origional track? Kind of like doubling the volume of the origional signal(OK, not quite doubling it, but increasing it significantly).
I thought maybe it was Kind of like having one dollar, and sending 50 cents to the buss, and 50 cents to the master, but there's always no more than one dollar involved. If the signal isn't "split", then wouldn't you have to account for a significant increase in level at the master? Using the analogy of the dollar, wouldn't it be like winding up with two dollars from the origional one dollar when they both meet up again at the Master?
I hope this isn't too wierd sounding. But I'm wondering if the origional audio is conserved, or if it is duplicated and therefore increased by sending it to various busses and then recombined at the master.
----- Original Message ----- From: "Luis Elorza" <luiselorza@xxxxxxxxx>
To: <ddots-l@xxxxxxxxxxxxx> Sent: Monday, April 02, 2007 4:23 PM Subject: [ddots-l] Re: Auxiliary sends & track outputs
i don't think the send output will affect your track output in any way .----- Original Message ----- From: "Phil Halton" <philhalt@xxxxxxxxxxx>To: "ddots-l" <ddots-l@xxxxxxxxxxxxx> Sent: Monday, April 02, 2007 8:44 AM Subject: [ddots-l] Auxiliary sends & track outputsI've been reading the CT tutorial on Aux sends & track outputs, and have a very basic question that's been bugging me ever since I started getting into MIDI & digital audio.Here goes...When you enable a send on a track and adjust the send level, are you in effect, diverting a portion of the overall level of the track to that send?For example, with a reverb buss, if you set the send level at some low value like -20db, are you sending a small portion of the track s audio to the reverb buss, and the remaining audio goes out the output assignment? Is it split off like that? In percentages, say sending 20% to the buss, and the remaining 80% goes through the output assignment (usually the Master buss)?So, if the reverb plugin was set to wet/dry mix of 100%, you would control the wet/dry mix of the track by sending more or less of the track audio to the reverb buss (wet portion) with the remaining signal going to the master buss(dry portion)?And, I assume that a send level of 0db would send all the track audio to the buss, with none left to go to the master output field assignment?** To leave the list, click on the immediately-following link:- ** [mailto:ddots-l-request@xxxxxxxxxxxxx?subject=unsubscribe] ** If this link doesn't work then send a message to: ** ddots-l-request@xxxxxxxxxxxxx ** and in the Subject line type ** unsubscribe ** For other list commands such as vacation mode, click on the ** immediately-following link:- ** [mailto:ddots-l-request@xxxxxxxxxxxxx?subject=faq]** or send a message, to ** ddots-l-request@xxxxxxxxxxxxx with the Subject:- faq** To leave the list, click on the immediately-following link:- ** [mailto:ddots-l-request@xxxxxxxxxxxxx?subject=unsubscribe] ** If this link doesn't work then send a message to: ** ddots-l-request@xxxxxxxxxxxxx ** and in the Subject line type ** unsubscribe ** For other list commands such as vacation mode, click on the ** immediately-following link:- ** [mailto:ddots-l-request@xxxxxxxxxxxxx?subject=faq]** or send a message, to ** ddots-l-request@xxxxxxxxxxxxx with the Subject:- faq
** To leave the list, click on the immediately-following link:- ** [mailto:ddots-l-request@xxxxxxxxxxxxx?subject=unsubscribe] ** If this link doesn't work then send a message to: ** ddots-l-request@xxxxxxxxxxxxx ** and in the Subject line type ** unsubscribe ** For other list commands such as vacation mode, click on the ** immediately-following link:- ** [mailto:ddots-l-request@xxxxxxxxxxxxx?subject=faq]** or send a message, to ** ddots-l-request@xxxxxxxxxxxxx with the Subject:- faq
