> I've certainly heard this done in the movie business, although it > consisted of rather a lot more frames (33^3 I think), and a custom > reader that used an Eye-One pro to read transparency using rather > high intensity back lights to be able to get useful readings from > very dense film. You mean to get color accuracy for the transfer onto the final transparency that gets sent to theaters (kind of like the reverse of profiling a scanner+film combo)? Hollywood shoots negative for its latitude... I thought it was interneg all the way until the final print, which I'd assume is on transparency (transferred by a film recorder). On Wed, Feb 23, 2011 at 4:03 PM, Graeme Gill <graeme@xxxxxxxxxxxxx> wrote: > Rishi Sanyal wrote: >> >> Thanks Iliah. Admittedly I know nothing about film recorders, so my >> concept of what you did 'outputting 5000 patches onto film directly' >> is very limited! > > I've certainly heard this done in the movie business, although it > consisted of rather a lot more frames (33^3 I think), and a custom > reader that used an Eye-One pro to read transparency using rather > high intensity back lights to be able to get useful readings from > very dense film. > > Graeme Gill. > >