******Johannes Brahms* <http://en.wikipedia.org/wiki/Johannes_Brahms>* Prelude and Fugue in A minor [4:46] Both Prelude and Fugue make extensive use of triplets, both alone and together with duplets. The bravura passages at the end of the fugue are almost orchestral. Registration: Prelude Man. 1 Prestant 8' + Octaaf 4' + Octaaf 2' + Mixtuur 4-6 St., Man. 2 Holpyp 8' + Speelfluit 4' + Nazard 1-1/3' + Kromhoorn 8' coupled to Pedal Subbas 16' + Praestant 8'. Fugue Man. 1 withdraws Mixtuur and Trompet, Man. 2 replaces Speelfluit with Praestant 4' and adds Gemshoorn 2'. Near end, Man. 2 adds Kromhoorn 8', PD adds Praestant 8' and Schalmey 4', at end Man. 2 withdraws Gemshoorn and is coupled to Man. 1, which has restored Mixtuur and Trompet, PD replaces Schalmey with Fagot 16'. Kirnberger 3 Temperament. *Midi File available.* <http://www.virtuallybaroque.com/gero.htm> /Instrument:/ The organ of Boezemkerk in Bolnes (Ridderkerk) Holland (1959) - Samples by Hauptwerk.nl <http://www.hauptwerk.nl/boezemkerken.php> http://www.virtuallybaroque.com/trak3424.htmOrgantechnology supports Virtually Baroque Tracks Lists from James Pressler's Virtually Baroque.
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