**************Johann Ernst Eberlin* <http://www.answers.com/topic/johann-ernst-eberlin>*
Toccata Secunda et Fuga [6:3] /(Kirnberger II mod. , f(A3)=468 Hz)/ Toccata begins and ends with held pedal notes (Subbass 16' + Octavbass 8'), but is basically for the Hauptwerk principal chorus (Principal 8' + Octav 4' + Quint 2 2/3' + Superoctav 2' + Mixtur 5 Fach, which adds an illusory 16' pitch). The fugue has two parts, the first played on the Positiv (Weit Principal 8' (*) + Salicet 4' (*) + Floete gedeckt 4' + Octav 2' + Quint 1 1/3'), the second on the Hauptwerk with Positiv coupled (Hauptwerk minus the 2 2/3'). When the pedal enters at the end, the Principalbass 16' and Gross Quinte 10 2/3' (*) are added, for an illusory 32'. (*) Additions from the extended set. /Instrument:/ Johann Adam Ehrlich organ at Evangelische Stadtkirche / Bad Wimpfen, Germany (1748) - Samples by Gernot Wurst <http://www.prospectum.com/> http://www.virtuallybaroque.com/trak1274.htmTo Subscribe or Un-subscribe from music list: http://www.virtuallybaroque.com/daily.htm
*VPO Organs powered by Hauptwerk, Organtechnology Computer-Sound Engines and Consulting for Hauptwerk^(TM) projects.*
*Organtechnology supports James Pressler's Virtually Baroque Track Lists*For more information about VPOs and contact data, visit http://www.organtechnology.com
